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Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars

The latest and greatest DJs and producers rising to the top this month. From bassy breaks and minimal techno to fizzing hyper-pop, experimental lo-fi and beyond, here’s May 2024’s list of upcoming talent you should be keeping track of

Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story

Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in

The latest and greatest DJs and producers rising to the top this month. From rowdy breaks and dreamy deep house to ambient electro and otherworldly techno, here’s April 2024’s list of upcoming talent you should be keeping track of

We run through some of the finest parties on offer during Miami Music Week 2024

Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix.  Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla  about building connections around the world, uplifting her communities, and her Pasifika club sound

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?