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DJ, producer and party founder Enzo Siragusa has come a long way from his early days raving in warehouses, but he’s never forgotten his roots...

We’re in the booth of Room One at Fabric, London, and Enzo Siragusa is two hours into his eight-hour set. Under the swirling smoke and...

House and disco infiltrator and Love on the Rocks label innovator Paramida steps up with a deliriously fun mix for her DJ Mag Podcast –...

For a person who once referred to herself as “Berlin’s most hated”, Paramida seems to be getting on just fine. As head honcho at the...

Redlight - the artist formerly known as Clipz - is flipping the dance script, shattering genres into a million pieces and pioneering a mongrel music...

As acolytes of electronic dance music, we tend to consider ourselves a fairly fortunate bunch. Within the panoply of different styles, genres and sub-strands, it's...

DJ Mag’s annual Best of North American Awards poll gives our readers the opportunity to show their love to their favorite DJs, producers, labels, clubs...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

A press shot of Flume in a striped jumper, holding a bunch of white flowers against an orange backdrop

Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story

Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Harley Edward Streten, on...

Italo disco’s eternal evolution

Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound

It now sounds like a DJ mix of the most widely-known Italo disco classics, but when it was released in 1999, I-F’s ‘Mixed Up In...

Team DJ Mag asked DJs featured in our annual Top 100 and Alternative Top 100 polls to vote for their absolute favourite festivals. Collating all...

11. BURNING MAN
12. TIMEWARP
13. CREAMFIELDS
14. MOVEMENT
15. PAROOKAVILLE
16. WORLD CLUB DOME
17. LOVE INTERNATIONAL
18. OUTLOOK
19. FUSION
20. DOUR

Over the years, we’ve kind of made polls something of a speciality here at DJ Mag. Over 1.2 million people voted in the Top 100...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

Another year, another fantastic Outlook!

Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...

One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...

By the early ’90s, dance music in the UK was already a complex beast. US house and techno cross-pollinated with synth-pop, rare groove and soundsystem...

The Horse Meat Disco logo on an orange background with dancers

Horse Meat Disco held their first party at what would become known as The Eagle pub in Vauxhall, London on New Year’s Day 2004. As their weekly Sunday night queer party grew, so did their international reputation, and they haven't stopped since. Here, Andy Thomas charts the soaraway success of the disco house collective over the last two decades

“It’s Princess Julia stretching across the stage in smoky mascara and emerald green stockings. It’s classic Amanda Lear videos playing on the wall as three...

The high-energy drum & bass sub-genre is back... and in a very big way!

Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...

When is a band not a band? We aim to find out...

When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...

rj

After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase

Rochelle Jordan is sitting in her car, the AC whirring in the background. It’s the tail-end of LA’s latest heatwave, and though you wouldn’t know...

The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...

September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...