It’s just gone midnight and the dancefloor at Mossy’s, a two-floor nightclub above the Harbour Inn in Lowestoft, is heaving with life. Andrew ‘Richie’ Riches...
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Features
The dance music history of East Anglia is rich, multi-layered and messy — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution
Features
The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
Irreverent electronic/instrumental brilliance.
Ready for crazy but cohesive collages of classical strings, bumpy dance beats and leftfield pop hooks? You better be ‘cos Clean Bandit have ambushed the mainstream with their refreshing blast of irreverent electronic/instrumental brilliance. But they aren’t easy to pin down...
Cover Features
Utrecht's CARISTA is on a quest to bring club crowds together with her irresistible, energising DJ sets. Ria Hylton meets her to find out how her United Identities label is elevating new talent in the Netherlands, and how she’s branching into new areas of music.
Features
DJ Mag spoke to two of the scene’s icons about their takes on the scene in 2013, their manifold future plans, and the enduring spirit...
When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.
<p>It’s a good job Italian DJ/producer Riva Starr loves his job...</p>
The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...
The latest and greatest DJs and producers rising to the top this month. From fiery footwork and acid-laced techno to driving EBM and textured sound...
TERR
FOR FANS OF: Laurie Anderson, John Talabot, Marvin & Guy
A release on Permanent Vacation is a landmark in any artist’s career; take the...
Features
The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
Features
Joy Orbison's debut, 'Hyph Mngo', is 10 years old. DJ Mag reflects on a track that signalled a seismic shift in UK dance music
“Big, big, big.” It’s June 25th 2009, and one hour into his still-pirate Rinse FM show, Blackdown is jittery. An unmastered new track is drifting...
Features
The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity
Features
The FUSE main man tells us about the tracks that helped shape the DJ he is today
Shadow Child’s bass-heavy house music is all over the airwaves, dancefloors and beyond.
It’s a cold, wet Wednesday night in London but pumping across airwaves at 108.6FM are the ripping basslines, house beats, jazzy keys and liquid vocals...
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.