The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Nicole Moudaber is the techno queen with a rock & roll attitude. She’s the fast-driving petrolhead who’s as at home behind the wheel as she...
Nicole Moudaber is hooked on adrenaline. As a DJ, producer, label owner and promoter, she’s created a huge fan-base thanks to a constant schedule of parties...
As healthier lifestyles have become more prevalent in the dance music industry, some have turned to the legal compound CBD for its benefits. But who uses it...
Hit-maker, label boss, global tastemaker and five-time winner of the Top 100 DJs, Armin van Buuren is a certified legend of electronic music. Having risen...
Armin van Buuren doesn’t really do interviews anymore. He’s reached the upper echelons of his chosen career, and doesn’t really need to. The “trance overlord,”...
Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2020
DJ Mag’s Miami Music Week pool party is taking place at the Sagamore Hotel on Wednesday (20th March), in association with Epic Pool Parties, and we’ve again pulled in a top-notch line-up for the festivities. Here we catch up with every artist playing at the party: ANOTR, AQUTIE, Chloé Caillet, Joseph Capriati, Louie Vega, and Ms. Mada
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
Counting down the 2010s, we round-up the albums that defined the decade in electronic music
The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development
When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
Ralph Lawson's Leeds house music institution 2020 Vision celebrates 20 momentous years...
Leeds house music institution 2020 Vision celebrates 20 momentous years in 2014. Here, label boss Ralph Lawson remembers two decades of one of the UK's...
DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...
Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.