The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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TWO DAYS OF EPIC PARTYING
I had to pinch myself twice just to be certain it wasn’t a dream. See, if you love dance music the way I love dance...
Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...
San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...
Tracing the journey of the d&b kid from the Midlands...
Goldie is back with an amazing new album. And not just any old album either. Hugely ambitious in breadth and scope, 'The Journey Man' is...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
For recording mixes at home, learning to DJ, live streaming or scratching the itch of playing your favourite tunes back to back, affordable controllers have...
The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...
We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways
Stefan Kozalla is many things to many people: co-owner of an acclaimed label, production enigma and true free spirit. DJ Mag caught up with him...
It makes sense that DJ Mag has landed in Barcelona to meet DJ Koze. It’s a city where the abstract and traditional happily co-exist, where...
Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone.
Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...
Before headlining international festivals with his immense live techno sets, Reinier Zonneveld cut his teeth on the Dutch underground rave circuit. Megan Venzin catches up with the artist to learn about his approach to performance, and why his fans can always expect the unexpected
Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...
The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...