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The latest and greatest DJs and producers rising to the top this month. From high-velocity techno and house to psychedelic jazz and d&b, here's March...

Zakia is a DJ with a taste for transcendent sounds. On her Saturday morning NTS radio show, Questing, she draws from a broad selection of...

The latest and greatest DJs and producers rising to the top this month. From rich, experimental techno and ambient to festival-ready house and trance, here's...

With roots in South America and France, but based in the Canadian music hub of Montréal, Ourielle Auvé, or Ouri as she’s better known, pours...

Cheeky bubblers incoming...

Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...

Counting down the best of DJ 'WTF' moments in 2014

2014: the year of click bait articles and cheesy EDM news everyone loved to hate. From Art Department dissing Laidback Luke to Michelle Obama turning...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

12 emerging artists you need to hear this June

The latest and greatest DJs and producers rising to the top this month. From hard-hitting techno and soulful house anthems to ravey post-punk bangers, here's June 2022's list of upcoming talent you should be keeping track of

Berlin-based DJ and producer Anna Kost’s debut EP ‘The Very End Of You’ on Hotflush-offshoot Who Whom is the ideal intro into her raw but...

Founded in 1991, Nervous Records was at the epicentre of New York’s house explosion. Three decades, and over 5,000 releases later, it’s still pumping out...

You can accomplish a lot in three decades, and Nervous Records, the pioneering New York label that’s marking 30 years in the dance music business...

The latest and greatest DJs and producers rising to the top this month. From found sound turntablism, techno and two-step to experimental soul and glossy...

Albeit fresh to the DJing world — having been behind the decks for just over a year — SORAYA is making an impact within the...

With a new EP driven by the rave and jungle sounds that first inspired her, and her Batty Bass club-night revived, Hannah Holland is having...

Rewind to the early noughties in London: Turnmills and The End were still in full swing, and Hackney still had a lawless feel with its...

Objektivity boss is fed up with being known as Mr 'Hey Hey'

“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer.
“That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

The United Kingdom of rave returns

House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...