“I feel very comfortable drawing from a lot of different influences, and don’t feel like I need to box myself into something necessarily,” says Meagan...
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Features
A fusionist known for intense bass and intricate drumplay, DJ and producer Hagan has built a name for himself by blending the sounds of UK...
Features
On her new album, ‘infina ad nausea’, Brooklyn's QRTR blends multi-layered melodies with club-ready beats, from house and techno to UKG and jungle. Ahead of her set at DJ Mag's Miami Pool Party this week, she chats to Ben Murphy about her distinctively trippy sound, her famous feline friend, ambientkitty, and the busy festival season ahead of her
Features
Tony Davis’ visceral photography doesn’t just capture what the UK’s early ‘90s rave culture looked like, it also manages to conjure up what it felt...
From nine-hour sets in Rotterdam to performances in front of royalty, we select the moments that shaped Armin's iconic career...
Armin van Buuren has cultivated a huge fanbase over his two-decade career, including a passionate network of festival-goers, Olympians and Dutch royalty. Through his legendary...
The Dre Beat Pro Headphones come with a “bling” price tag, but do they represent the real beat on the street?
In terms of musical franchises, Dr. Dre seems to have hit payday gold with his Beats by Dre headphones and laptop range. But are these...
Features
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Hagan spotlights percussive gems, from futuristic UK funky, gqom and amapiano to house, drill and highlife
Simply huge...
Tomorrowland has locked its full line-up for 2017, with the festival running on two consecutive weekends from 21st to 23rd and 28th to 30th July...
Features
Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...
Richard Norris talks to DJ Mag about his psyche project, TASM, about to release its second album...
Somewhat of an unsung legend in UK dance music circles, Richard Norris is about to release the second album of his psych solo project, the...
Features
The prolific Dallas, Texas electro producer builds a futurist cosmology that straddles sci-fi obsession and quiet storm roots, with unexpected brightness. Marke Bieschke catches up with the artist about his process, and his stunning recent LP 'LASER Mode'
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
Vestax’s PAD-One is the newest micro controller to take a beating on the DJmag test bench
In the portable pad controller market, the Korg Nano Pad and Akai LPD8 have recently dominated the battle for the spare space in your laptop...
Features
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”