After reflecting on how we can tackle the issues around racism and racial injustice within the electronic music industry as a publication, we delivered our...
Search
Results for: No Doubt
It’s not just David Attenborough who’s talking about the eradication of plastic pollution to save our planet. Some festivals are taking the lead by banning...
Houndstooth mainstay Aïsha Devi has caused shock and awe with her wild live shows and mind-boggling releases. Yet, as DJ Mag discovers, her experiments with sound...
Aïsha Devi’s stare burns onto her machines with the intensity of a laser. To her back, left and right, a flickering, kaleidoscopic series of visuals...
Two generations of Black women speak about their experiences in dance music
In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity
DJ Mag spends an action-packed weekend with Len Faki...
“There he is – Len Faki! It's time to go to the stage!” exclaims one of the harried stage managers around me. It's a beautiful...
We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways
Sam Divine, Dennis Ferrer, Sonny Fodera...
When Simon Dunmore left his major label A&R job with AM:PM, the dance offshoot of A&M Records, to start his own independent dance label, even...
After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad
Jaguar is the DJ and presenter at the helm of the BBC Introducing Dance show, giving first plays to many up-and-coming producers from around the...
On Cue is our newly relaunched flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both...
Mr. Mitch is enjoying making people dance.
A move away from the delicate aesthetics of his last EP, October 2018’s ‘Primary Progressive’, Mr. Mitch’s latest...
2012 Miami Listing's
Yup, it's that time again — all eyes on South Beach. The East Atlantic coast of Miami, USA is braced for another infiltration of dance...
Celebrating twenty years at Radio 1
It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...
Delving into the treasure trove of Red Rack'em
Berlin-based Red Rack'em, AKA Danny Berman, might have started his career in the UK as part of the pirate soul movement, creating new tracks...
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional