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Results for: No Doubt

It’s not just David Attenborough who’s talking about the eradication of plastic pollution to save our planet. Some festivals are taking the lead by banning...

Houndstooth mainstay Aïsha Devi has caused shock and awe with her wild live shows and mind-boggling releases. Yet, as DJ Mag discovers, her experiments with sound...

Aïsha Devi’s stare burns onto her machines with the intensity of a laser. To her back, left and right, a flickering, kaleidoscopic series of visuals...

Two generations of Black women speak about their experiences in dance music

After reflecting on how we can tackle the issues around racism and racial injustice within the electronic music industry as a publication, we delivered our...

re:ni poses in a forest wearing a black blue and red racing jacket

In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity

When Lauren Reni Bush was a child, she wanted to become a vet. Back then, she lived in a village outside of Dorchester, a market...

DJ Mag spends an action-packed weekend with Len Faki...

“There he is – Len Faki! It's time to go to the stage!” exclaims one of the harried stage managers around me. It's a beautiful...

We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways

MATT CANTORMatt Cantor formed The Freestyler with Aston Harvey in the mid-‘90s, and soon had a Top 40 hit with ‘B-Boy Stance’ featuring the late...

Sam Divine, Dennis Ferrer, Sonny Fodera...

When Simon Dunmore left his major label A&R job with AM:PM, the dance offshoot of A&M Records, to start his own independent dance label, even...

Jamie Jones

After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad

It was a humid summer night in June on the white isle back in 2005. Jamie Jones had just returned from Barcelona’s annual Sonar festival...

Jaguar is the DJ and presenter at the helm of the BBC Introducing Dance show, giving first plays to many up-and-coming producers from around the...

“I think 2020 showed us how important radio is. It’s that human connection and companionship,” says Jaguar Bingham, who sounds just as warm and friendly...

On Cue is our newly relaunched flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both...

Mr. Mitch is enjoying making people dance.

A move away from the delicate aesthetics of his last EP, October 2018’s ‘Primary Progressive’, Mr. Mitch’s latest...

2012 Miami Listing's

 Yup, it's that time again — all eyes on South Beach. The East Atlantic coast of Miami, USA is braced for another infiltration of dance...

Celebrating twenty years at Radio 1

It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...

Delving into the treasure trove of Red Rack'em

Berlin-based Red Rack'em, AKA Danny Berman, might have started his career in the UK as part of the pirate soul movement, creating new tracks...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

Kuedo's widescreen synth futurism

Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional

The passing in May of composer Vangelis showed just how much influence the Greek synth pioneer has over electronic music. A BBC tribute showcased tracks...