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We pushed our minds and bodies to the limit during another week of WMC/Miami Music Week. From South Beach to Ultra, Diddy's party to downtown...

DAY ONE: WEDNESDAY
We kick off Miami Music Week 2014 with DJ Mag Poolside Sessions at our new Miami base — The Surfcomber on Collins...

2012 Miami Listing's

 Yup, it's that time again — all eyes on South Beach. The East Atlantic coast of Miami, USA is braced for another infiltration of dance...

Sudan Archives in a pink fluffy bra top with pink ponytails, by ALLY GREEN & EDWIG HENSON

A violinist, beat maker and vocalist with a talent for humorous yet heartfelt lyricism, Sudan Archives new album ‘Natural Brown Prom Queen’ is out now on Stones Throw. She speaks to Christine Ochefu about her open-book writing style and her determination to follow her own path

Brittany Parks, the artist known as Sudan Archives, is particularly straight-talking. Donning a purple trapper hat and grin revealing a mouth full of silver braces...

Prolific UK DJ and producer Mani Festo records a thunderous two-hour mix of rave futurism and hardcore nostalgia for the Recognise series, and speaks to...

Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity

Framed by white curtains and stood against the red brick tower blocks of the city, West-London born, British-Serbian artist TRAPY looks down from a window...

Jeddah-born, Dublin-based DJ Moving Still records a hi-NRG mix of edits and originals, and speaks to Gabriel Szatan about the thriving network of “Arabic electronic"...

In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...

Clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our feet as a...

Chicago's Hieroglyphic Being records one hour of fuzzy-and-jazzy live techno for the On Cue mix series, and speaks to Lauren Martin about surviving as an...

Educate, communicate and take action

Editor's note: we will be updating this as a live directory, so welcome recommendations for additions. Please send to [email protected], DJ Mag supported Blackout Tuesday...

Recognise is DJ Mag’s monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak to...

Zozo’s approach to music is both earthy and otherworldly, organic and encyclopedic, political and hopeful. Standing at the core of Istanbul’s electronic music circuit for...

The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...

Nilaari (meaning self-worth or value) is a Black, Asian and Minority Ethnic (BAME) community-based charity, delivering culturally appropriate counselling, social care support, advice and advocacy...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...

Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

 

When the pandemic hit, Hyperdub-signed Canadian musician and vocalist Jessy Lanza packed up and moved to the sunny West Coast, where she began a...

On a sunny, autumnal afternoon, sitting on a bench in San Francisco’s Golden Gate Park, producer and vocalist Jessy Lanza is running down the history...