Around 150 people every day, or six people every hour, died from a synthetic opioid overdose in the United States last year. The total number...
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Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...
Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...
In DJ Mag's April music columns, Joe Roberts, Carl Loben, Shiba Melissa Mazaza and Layla Marino spotlight topical sounds from around the world
After reflecting on how we can tackle the issues within the electronic music industry as a publication, we deliver our pledge to you, presenting significant...
We drill down into why the London-based bros are such a hit...
Not only are brothers Danny and Kieran Clancy the minds behind London's hugely respected Krankbrother parties, a string of top-notch house and techno releases and...
DJ Mag investigates the cynical money-making practice of digital music piracy...
Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...
DJmag's Jonnie Parker catches up with James Zabiela before his One+One set with Nick Fanciulli.
DJ Mag.
Yes yes, it's myself Jonnie Parker, we're down here at the DJ Mag Top 100 DJs party...
Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him
As events begin to reschedule dates for 2021, and with some selling out months in advance, the practise of ticket touting is once again an...
We talk pop, his transition to DJing and more...
Hotshot DJ/producer MK hit big with his UK No.1 remix of Storm Queen's 'Look Right Through', affirming both his studio skills and the immense popularity...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
Producer of soul greats, maker of classic house records, ordained Yoruba priest and avid live streamer, Osunlade has lived a remarkable life so far. He tells Ria Hylton how remaining independent has been vital to his creativity and career
From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
The latest and greatest DJs and producers rising to the top this month. From experimental R&B and sample-laden house to ferocious, fiery techno here's February...
(LIV).E
(Liv).e — pronounced “Liv” — has an otherworldly sound. The vocalist and producer hails from Dallas, Texas, and combines gospel spirituality with blurry synth-work...