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Paranoid London are on a mission to bring back the rawness of old house, with their skeletal acid tracks and Chicago-influenced beats. We head to...

It’s not just the scorching temperature that’s causing us to sweat, as we wander around the back streets of Hackney trying to locate Paranoid London’s...

On Cue is our newly relaunched flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both...

Mr. Mitch is enjoying making people dance.

A move away from the delicate aesthetics of his last EP, October 2018’s ‘Primary Progressive’, Mr. Mitch’s latest...

Ikonika's back with a fresh electro-funk sound.

Far from retro, she's dragged us into a new digital dimension. We talk pop, reshaping history and optimistic futures with one of the world's most forward-thinking producers...

The Aussie duo break down their setup ahead of their US tour...

Set Mo's 2018 was a big one. Having drip-fed their debut album over 11 months, one track at a time, the LP got a full...

A guide to dance music's pre-rave past

A guide to dance music's past

Jack Revill's love affair with decks goes back to his days kicking about Glasgow...

Around the time his mum passed away, Jack Revill met Calum Spencer on Byers Road in Glasgow. “Are they real vinyl records?” he asked in...

Charting the rise from DJing at seminal Nottingham outpost The Bomb to his current role as the musical polymath behind Leftroom Records.

The slow burn. That has always been Matt Tolfrey's modus operandi. He's more concerned with foundations, with building a family of likeminded house heads around him rather than surrounding himself with people who can advance his career.

"Smoke weed every day."

You’ve got to give it to them – Das Racist are like nothing else out there.

The Brooklyn-rooted hip-hop duo first hit the scene a...

Artists to watch 2022

Introducing the artists set to make waves this year: From Jersey club, Afrotech, and hardcore to UK rap, Brazilian grime, Ghanain asakaa and beyond, these are the DJs, producers and MCs pushing tomorrow’s sounds today

The hyper-kinetic pulse of Jersey club is taking over the world, and one of its most prolific young talents is New Jersey polymath, SJAYY, whose...

Multiple bangers held within...

Ibiza closing parties are in full swing over the next two weeks, with Circoloco, Cocoon, Music On, Paradise and many more hosting huge events that...

Little Dragon's unique mix of R&B and electronics has captivated many...

Little Dragon married young, you might say. It was at high school, still in their teens, that the Gothenburg four-piece met, a good decade before...

We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...

Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...

How an adult version of Tetris kickstarted multiple musical revolutions 

How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...

Norma Jean Bell LP cover

Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”

If you look in the ‘about’ section on Norma Jean Bell’s Facebook page, it says, simply, “I’m the baddest bitch in this room...” It's a...

Jeshi

East London’s Jeshi documents personal struggles, social contradictions and life’s day-to-day mundanities with a wry wit and relatable appeal. For this month’s Meet the MC, Rahel Aklilu speaks to him about the observational songwriting of his debut album, ‘Universal Credit’

"This is less of a big, brash political statement, which you’d expect because of the title, but rather a collection of observations from a man...