The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
Search
Results for: PTU
Long-time electronic overlord Sasha has summoned all his creative powers to unleash his most spellbinding mix compilation yet.
Barely a week goes by without some muso or other declaring the death of the mix CD. And you can understand why, given the proliferation of free mixes that pop up like pop-ups each and every day on the worldwide web. Once every four or so years, though, all that changes, people forget to argue and unite in appreciation of the form once more.
Features
The elusive Calibre on his new Fabric compilation.
Belfast drum & bass auteur Calibre is a true enigma. Prolific, classically-trained, with a melodic, futuristic style all his own, he shuns the limelight. But with a new mix CD for Fabric — his first — in the offing, we're granted a rare audience with one of the most fabled artists in dance music...
The New King of the Digital Beats
In recent times Pioneer have gone from a company that seemed to be ignoring the surge in demand for hardware controllers, instead concentrating on their CDJs and mixers to now becoming arguably one of the rulers of the roost in the DJ Controller market with options to suit every budget as well as all of the most popular DJ software titles around.
Objektivity boss is fed up with being known as Mr 'Hey Hey'
“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer. “That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”
Behind the scenes in the Kidsuke studio!
Kidkanevil and Daisuke Tanabe are two young trailblazers who have come together to form Kidsuke, inspired by their shared love of Japanese culture, new technology and kids' toys. DJ Mag spoke to the guys about their new album and subsequent tour, and the difficulties of putting it altogether when living worlds apart…
Drums of Death's time for greatness definitely nigh
Realising that Drums Of Death is not really under a voodoo curse, but actually a good-humoured chap from Scotland, is the grownup equivalent of acknowledging...
Native Instruments’ new compact controller for Traktor, the S2, gives DJs ultimate portability with a sweet-as-candy price
There’s a lot of truth in saying that size doesn’t matter — especially when we’re talking about the new Traktor S2 controller. The boys in...
Position: 1
Non Mover
A real case of work hard / play hard as DJmag heads to Amsterdam for the annual Amsterdam Dance Event!
Amsterdam – Europe's liberal experiment – a place where culture and beauty sit beside decadence and desire. Where the buildings loom peerlessly above the multiple...
Position: 1
Non Mover
T Scan Awards, pics and perfect products. Find out what was the best DJ Technology of 2004...
After an exciting year for new DJ products, we are proud to announce the winners from the 2004 T-Scan Awards, as decided by our readers...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
Features
It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?
Features
The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...