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Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds

With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional

On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”