In late summer, the rain falls in great sheets, and DJ Mag dives under the cover of shop awnings in Shoreditch, East London. On a...
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Results for: Production Software
Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...
Sully celebrates the infinite potential of the breakbeat in his thrilling On Cue mix, and chats to Oskar Jeff about his new release on 2...
Nick Douwma presents his vision with new album ‘Torus’
Although he may take his sweet time to churn out a full length, Nick Douwma - more commonly known as Sub Focus – certainly knows...
Nookie’s ‘Gonna Be Alright’ dropped as hardcore was morphing into jungle at the beginning of the 1990s. It lit up the raves and set Nookie up for a production career with Reinforced, Metalheadz, Moving Shadow and other key labels as the decade unfolded. Ben Murphy learns its story and speaks to Nookie about how, as the ‘20s roar into action, he is charged up all over again
Conversations around automation and DJing are tried-and-tested comment triggers — the ubiquity of the tedious ‘press play’ criticisms and ‘sync button’ debate attest to that. But...
The latest and greatest DJs and producers rising to the top this month. From uplifting house and beguiling synths to thunderous techno, here's March’s 2019's...
CHLOËDEES
Stratford’s Chloëdees has been collecting records since her mid- teens, but also film soundtracks. Before then, aged around nine, she already had an interest...
After a six year hiatus, TNGHT are back. DJ Mag speaks to Hudson Mohawke and Lunice about creative freedom, EDM, and barking in the studio
Critically acclaimed and wholly unstoppable, musical genius BT doesn’t break boundaries. For him, they don’t exist.
Everyone told BT it was impossible. Record labels and agents, promoters and peers said his vision for ‘Electronic Opus’, a unique mixture of live electronic...
Beardyman is turning music making into a sport with his One Album An Hour show...
He's a funny sort of bloke, is Beardyman. Quite literally; a career founded on quick wit, and what he describes as the “inherently silly” art...
Diggers & Muir make album with mysterious writer John Twelve Hawks
John Digweed, the Bedrock head honcho, and production partner Nick Muir have just made a collaborative album with mysterious sci-fi writer John Twelve Hawks.
Twelve...
As live streams dominate our feed, we outline five ways to stand out from the crowd
French duo Amine Edge & DANCE bring their G-House to the DJ Mag Miami party...
Amine Edge & DANCE are on a mission. Coming up from the not-so-mean streets of Marseilles, the production/DJ duo bonded as kids over a shared...
Roland’s 909 drum machine is responsible for the rhythm of house and techno, and countless classics of dance and pop. Exactly 35 years after its...
If there’s one instrument that faithfully captures the true spirit and essence of electronic music, it’s the Roland TR-909 Rhythm Composer: a machine that has...
Producing under the alias Renegade, Ray Keith delivered an instant classic in 1994's ‘Terrorist’, one of the most recognisable jungle tunes of all time. Its thumping chopped...
Long-time electronic overlord Sasha has summoned all his creative powers to unleash his most spellbinding mix compilation yet.
Barely a week goes by without some muso or other declaring the death of the mix CD. And you can understand why, given the proliferation of free mixes that pop up like pop-ups each and every day on the worldwide web. Once every four or so years, though, all that changes, people forget to argue and unite in appreciation of the form once more.