Along with most of the world’s population, Fred Peterkin, the DJ and producer best known as Fred P, was having a tough time during the...
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Features
Recognise is DJ Mag’s monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak to...
Determination and defiance burst from every beat of Lag’s output. As a producer, DJ and promoter, the Serbian upstart has become a vital fixture in...
Cover Features
Hit-maker, label boss, global tastemaker and five-time winner of the Top 100 DJs, Armin van Buuren is a certified legend of electronic music. Having risen...
Armin van Buuren doesn’t really do interviews anymore. He’s reached the upper echelons of his chosen career, and doesn’t really need to. The “trance overlord,”...
It’s upon us at last. The long-awaited sequel to Trainspotting — the definitive cult film of the 1990s — is released this month, and we’ve...
Unless you've been locked in Berghain for the last six months, you'll know Trainspotting 2 — dubbed T2: Trainspotting — is set to pull into...
It took decades and many mutations for dance music to develop into the genres we know today. Here's what happened before DJ Mag was born...
“In the beginning there was Jack... and Jack had a groove!” So the old Mr Fingers track goes, but of course music made for dancing...
Why are masks so popular in dance music?
“All great things must first wear terrifying and monstrous masks, in order to inscribe themselves on the hearts of humanity.” FRIEDRICH NIETZSCHE, Beyond Good and Evil...
The aftermath
You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...
Features
After hitting creative block, techno DJ and producer Chris Liebing made some big changes to his life and way of working. Now he's made the...
“You could mistake me as an older guy who is already past his best times,” says Chris Liebing, who is 50 in December. And he’s...
Features
It first happened at a media dinner about five years ago. I was sandwiched rather uncomfortably between two older international journalists — one from Amsterdam...
Already a staple sound of Ibiza at DC-10 and Parisian clubs like Concrete and Rex, French house is now truly going global...
It’s August 2013 and the trio of Dan Ghenacia, Dyed Soundorom and Shonky are coming to the close of an eight-hour showcase of their trademark...
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
Features
A decade and a half into a career making emotionally involved house music, Fred P’s sense of purpose is stronger than it’s ever been. The New York–born, Berlin-based artist fills us in on where he’s been, where he’s at and where he’s heading
Features
The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines
Features
Berlin-based modular obsessive and Berghain resident, JakoJako, shows Niamh O'Connor around her hardware-heavy studio, the famous local synthesiser store where she works, and her favourite place to grab a bowl of pho
Features
On his debut album, 'What I Breathe', Aussie-born, London-based DJ and producer Mall Grab marks a new creative chapter in his journey, far from the lo-fi house sound that shot him into the spotlight in 2015. Filled with grime and jungle influences, tracks featuring Novelist, D Double E, Nia Archives and Turnstile's Brendan Yates, as well as his own vocals, it's his most ambitious work to date. Here, Kristan Caryl chats to him about ADHD, being an outsider, dogs, style, hardcore and more
Features
Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists