Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...
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Results for: RESISTANCE
Music
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
Our world can sometimes feel like it’s closing in on us — political attitudes diverging into ideological extremes, we’re pummeled with tailored ads for things...
Features
South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
Tech
DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...
Features
In the early ‘90s, dubplates, exclusive early pressings of unreleased music, fuelled the buzz around DJs in the emergent jungle scene. In an excerpt from...
Features
Battling cultural stereotypes and lazy genre misnomers, a core set of Mexican artists, based around the NAAFI label and party series, are reshaping the hybrid...
Features
The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...
September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...
Features
They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...
A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...
DJ Mag delves into the history of dance culture’s Woodstock...
In 1992 there was a festival in the UK that changed the course of dance music history. A culmination of the acid house explosion, it...
Features
DJ Mag spoke to two of the scene’s icons about their takes on the scene in 2013, their manifold future plans, and the enduring spirit...
When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.
Cover Features
Adam Beyer is one of the biggest names in techno, renowned as much for his DJ sets as his highly successful Drumcode record label. Ahead...
Cover Features
Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
With a series of brilliant singles and a starring role on the new Juan MacLean album, Nancy Whang is an accidental dance music star...
“We would have just looked at it as a free trip to someplace cool,” Nancy Whang says on a steamy summer afternoon in New York...
Features
Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together
Saul talks about his new album, collaborations and a hatred of pirates.
Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.
Features
Delivering explosive, quick-witted lyricism over beats that blend kwaito, amapiano and gqom with grime, punk and pop, South Africa's Moonchild Sanelly has become a global sensation. Here, she speaks to Makua Adimora about freedom of expression and her new album, 'Phases'