Skip to main content

Search


Results for: RUN DMC

Bass injected house duo step up

Some days you wake up and just have a blinder — for Dusky that blinder has been pretty much every day for the last year. It’s fair to say that the London duo have — in technical parlance — well-and-truly smashed it. Number #1 iTunes Dance Single of 2012? In the bag with the beyond-ubiquitous 'Flo Jam'. Radio 1 Essential Mix? Done, knocked off with style, and shortlisted for mix of the year. They’ve helped shift the paradigms for dubstep and house, had productions rinsed by everyone from Loefah to Calvin Harris, and killed it in Ibiza at DC-10. Ebullient and still humble, is it any surprise that Dusky producers Alfie Granger-Howell and Nick Harriman are loving life right now?

The seminal tracks that altered dance forever!

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Knucks is leading UK rap's new wave

A rapper, producer and head of the No Days Off brand, Knucks smashed into the UK album charts this year with his ‘Alpha Place’ project, presenting his ‘chill drill’ sound in all its evolved glory. His triumphant homecoming show at KOKO in Camden saw collaborators like Stormzy, SL, Youngs Teflon and Ragz Originale join him on stage. Here, Yemi Abiade meets the Londoner to learn how there are now no limitations on his future

It’s late May in North London. The sun is setting with a burning intensity that only a summer’s evening in this concrete jungle can provide...

Andy C explains how he's always kept the faith with drum & bass...

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

The Crosstown Rebels man opens up about his path to dancefloor domination, rising from the figurative dead, his belief in the Crosstown “family”, the Rebel...

Damian Lazarus is the leader of Crosstown Rebels — not just a label, but a globe-trotting party and network of like minded artists. Celebrating 10 fiercely independent years of always innovative house and techno in 2013, the Lazarus man opens up about his path to dancefloor domination

Eastern Electrics, Creamfields, Houghton Festival, Yard: Open Air, Lost Village, Numbers @ EIF... 

The nights might be creeping in but that doesn't mean summer is anywhere near over, as the Top 30 UK events in August 2018 go...

Is wealth and privilege damaging British dance music, and if so, what should we do about it?

WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein

Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...

The cosmic electro of Cygnus 

The prolific Dallas, Texas electro producer builds a futurist cosmology that straddles sci-fi obsession and quiet storm roots, with unexpected brightness. Marke Bieschke catches up with the artist about his process, and his stunning recent LP 'LASER Mode'   

In Haruki Murakami's classic 1994 magic realist novel The Wind-Up Bird Chronicle, lowly functionary Toru Okada sets off in search of his missing cat, journeying...

UK label Scuffed Recordings has earned its reputable status with a roster of artists producing tactile, club-focused beats. As it expands further into live events...

Artwork depicting 'Lunatic Harness' record sleeve

Released in 1997, μ-Ziq’s ‘Lunatic Harness’ mixed jungle and out-there electronica in a way few had heard before. Here, Mike Paradinas talks to Ben Murphy about the influences that went into creating this genre-meshing gem, and his new album 'Magic Pony Ride'

“THE PIRATES were the only way you could get to hear the jungle stuff,” says Mike Paradinas, aka µ-Ziq, reflecting on the mix of influences...

Milan's mischievous crunk house tag team Crookers are primed to be the next dance music superstars. Prior to a momentous gig at London's top dance...

For time immemorial remixes have been the backbone of dance music. A great remix extends the life of a song, makes an average track into...

Christian and Steve Martinez are proof that the family that plays together, stays together.

words: LILY MOAYERI pics: ANDREW COTTERILL

An impenetrable gate sits atop the steep inclined driveway of a Beverly Hills mansion, one in that city’s famed...

We sit down with the Dutch Metalheadz producer...

Teije van Vliet’s alter ago, Lenzman, is having a hard time getting to the United States. The 36-year-old Dutch DJ/producer, who is releasing his debut...

The UK drum & bass scene has become overwhelmingly male and white. DJ Mag's Becca Inglis speaks to artists, promoters and label owners who are...

The push to close the “gender play gap” has accelerated this summer. At least 190 festivals have committed to booking 50/50 gender split line–ups by...

Close up shot of Wreckno with fishnet gloves and colourful butterflies in their hair

Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars

What can’t Barbie do? Since hitting shelves in 1959, the polymer-based, pop culture icon has donned the uniforms of a pilot, astronaut, presidential candidate, and...