The numbers don’t lie; UK rap and drill sits at the head of the top table of British popular music. Dave’s latest, ‘We’re All Alone...
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DJ Mag catches up with three of UK rap and drill’s most active and influential engineers — Manon Grandjean, Dukus and Sean D — to...
Brazilian DJ and producer ANNA's techno sound marries kinetic grooves with a wealth of emotion. With gigs all over the map and some of the most...
As someone who’s been DJing since she was 14 years old, it’s rare that Brazilian techno star ANNA is lost for musical inspiration. But DJ...
Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...
A year-and-a-half after his near-death accident, Paul van Dyk returns to trance stronger than ever, with a new album, new live show, and new perspective afforded to those who have grazed the...
This isn’t your average comeback story. And Paul van Dyk isn’t your average comeback kid. The Grammy-winning German DJ/producer is a legend in his own right, hailed as...
Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...
Amidst the horrors of russia's war on Ukraine, local DJs, producers and music professionals have had their lives ripped apart, but many have passionately continued their work at home and abroad, using their experience to provide funds and direct aid to causes on the ground. Here, Tanya Voytko talks to artists from across the country about their personal experiences over the past six months, and to learn how they’re striving to preserve and promote their rich and diverse electronic music culture
In an exclusive adaptation from his new book on the ever-so-slightly eccentric Godfather Of Funk, KRIS NEEDS looks at George Clinton's influence on the electronic...
George Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as among the most visionary and influential black music pioneers to emerge from the...
Tiga is one of dance music’s most recognizable names thanks to over two decades of chart-topping productions, sell-out tours and high profile festival slots. DJ...
Canada’s Tiga has long been the king of irreverent cool, his ‘Sunglasses At Night’ style of electro-pop irony meshing effortlessly with an authentic house and...
Bordeaux-based DJ, producer, and label/talent agency owner Anetha is known for her inventive techno tracks and all-encompassing sets, but on her debut album, she’s put her voice front and centre for the first time. Claire Francis speaks to her about celebrating motherhood, platforming new artists, and her love of fashion
The Bulgarian crowd favourite takes us through an in-depth behind the scenes of his live show, set-up and performance approach
Holding court with one of the UK’s most innovative electronic duos...
“Everything around you is so cluttered. If you go online and look at social media, it’s this big bombardment of stuff. I really wanted to...
After a trip to South Africa, an engagement with politics and a need to explore new musical avenues, these Bears have teeth.
“If someone said to you ‘Jesus is drinking in a pub in Elephant and Castle’ you’d go and have a look wouldn’t you?” Well, bearded...
We chat Bicep in light of their We Love Space CD
Bicep boys, Matt McBriar and Andy Ferguson, are childhood friends from Belfast and went to the same school through their teenage years before taking the leap to different universities. They recently mixed the DJ Mag covermount. Out now.
First released in 2012, Donato Dozzy and Neel’s groundbreaking self-titled album as Voices From The Lake changed the landscape of ambient techno, and set a new course for minimalist electronic music. Rob McCallum learns how the ripple effects of its legacy are still being felt like a pulsating torrent today
DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?