One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...
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Features
Detroit drum & bass aficionado Sinistarr steps up with a killer hour of ecstatic footwork, jungle and jolting, bassy rhythms. We catch up with a...
Sinistarr has been at the helm of Detroit’s d&b scene for a decade now. In that time, the prolific DJ/producer – real name Jeremy Howard...
Features
Irish artist Lighght records an immersive mix of ambient electronics, field recordings, traditional folk and R&B edits, and speaks to Eoin Murray about his organic...
The dance scene owes much to gay culture...
Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...
Our festival guide looks to Europe...
We pick the brains of the Berlin-based tech producer, TJ Hertz...
Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...
There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...
Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...
The original electro sound has been seeping back onto dancefloors, whether in the sets of DJs like Helena Hauff and Nina Kraviz or mix-comps by...
Electro inspires a fervid following. The genre is a bubbling underground scene populated by dedicated labels, DJs and diverse producers, scattered across the world, and...
Josh Wink, Dimitri from Paris, Catz 'N Dogz, Richy Ahmed...
DJ Mag Ibiza chats with some of world’s biggest DJs — from Booka Shade to Josh Wink — to ask the question: “What’s your most...
Already a staple sound of Ibiza at DC-10 and Parisian clubs like Concrete and Rex, French house is now truly going global...
It’s August 2013 and the trio of Dan Ghenacia, Dyed Soundorom and Shonky are coming to the close of an eight-hour showcase of their trademark...
With his latest album, the artist proves his genre-defying feats have only just begun...
Alexander Ridha loves sound. He uses the word 45 times in 62 minutes of conversation. That’s once every 82 seconds, if you’re counting. “My...
DJ Mag meets Róisín Murphy on the brink of her new LP, 'Hairless Toys'...
Róisín Murphy is the ultimate career woman. From teenage runaway to cult sensation, the mother of two has managed to truly have it all, thanks to...
UK duo Dusky are this month's DJ Mag cover stars...
“There’s definitely a stigma attached to progressive house but someone like Sasha is one of the most influential DJs ever,” Nick states. “A lot of...
Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...
In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.
Delving into the treasure trove of Red Rack'em
Berlin-based Red Rack'em, AKA Danny Berman, might have started his career in the UK as part of the pirate soul movement, creating new tracks...
Features
When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story