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The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...

Nilaari (meaning self-worth or value) is a Black, Asian and Minority Ethnic (BAME) community-based charity, delivering culturally appropriate counselling, social care support, advice and advocacy...

Nile Rodgers is the man behind Chic and countless disco classics and mega hits. Always moving with the times and updating his classic guitar licks...

In late 1976, a guitarist named Nile Rodgers and a bass player named Bernard Edwards bribed an elevator operator $10 to keep quiet about an after-hours...

The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...

Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...

We need to think about how we document dance music culture. It may seem odd saying this when there are so many magazines, podcasts, and...

DJ Mag USA gets the inside scoop on WMC from your fave DJs...

The year is 2017. The month is March. This means one thing: We are going to Miami where the heat is on all night on...

Is being fit and healthy mutually exclusive from the hedonistic world of dance music? Or can exercise and late-night club culture happily co-exist? DJ Mag...

DJ culture has long been synonymous with a lively hedonistic lifestyle: late boozy nights, early mornings, days and weeks touring on the road — a...

Lauren Flax: intention is everything

After years of devotion to New York's club scene, Detroit-born Lauren Flax is more passionate than ever, with acid techno tracks to be perfected, causes to be fought, and lives to be saved through her harm reduction initiative. This month, she shares her journey with Bruce Tantum

It’s a Friday night at Brooklyn’s Public Records, and Lauren Flax is in her element. The dancefloor is packed, the room is dark, the fog...

Batu press shot surrounded by purple flowers

Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him

On a cool night in upstate New York in September 2019, the floorboards of a wooden hut at Camp Kennybrook are shuddering with bass. Somewhere...

2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...

Some years stand out for the bangers they produced, for the adrenaline-shot belters that shook festivals and club floors night after night, and never felt...

Ukraine’s Nastia could be techno’s most outspoken DJ — a world famous artist who matches her razor-sharp skills behind the decks with an honesty on...

When DJ Mag meets Nastia in the lobby of her upscale Berlin hotel one rainy winter’s afternoon, she doesn’t smile, and almost looks a little...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

Last year was an incredible year for party boys Solardo. Playing over 200 high-profile gigs, traversing the globe like a well-oiled machine, the Manc lads...

The Solardo boys are standing by the canal in Haggerston, east London. They’re dressed in sharp black suits and bowler hats, a far cry from...

Indira Paganotto in a red, white and black jacket

Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family

Few artists have fused the worlds of bright psytrance and booming techno as smoothly as Indira Paganotto. The Spanish producer, DJ and founder of the...

Photo of ANOTR floating in air against a sunset background while reading DJ Mag’s March cover issue

Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do

ANOTR are all about emotions. Enhancing them, recalling them, changing them, understanding them. Everything the Dutch duo do is intentional, produced to share how they’re...