“‘Phelimuncasi’ means ‘you drink whatever you drink with a straw and you finish it’,” Khera, one-third of the South African gqom trio, Phelimuncasi, tells DJ...
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Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
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South African gqom trio Phelimuncasi have risen to fame with their politically charged vocals and innovative beats. Makua Adimora catches up with them to learn about their new album ‘Ama Gogela’, their creative process, and why their music is here to entertain and agitate in equal measure
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With its on-the-pulse line-ups, great sound and inclusive atmosphere, Gonzo's Two Room is making Norwich a dance music destination. Here Ben Murphy heads to the club, and chats to its team, to learn what makes it so special
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Nantes-based DJ, producer and Livity Sound affiliate Simo Cell jumps from bass-heavy club beats and breaks into rap, trap and back again in his hyperactive...
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Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks have been released...
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Released 20 years ago, Basement Jaxx's 'Rooty' is a paean to the adaptable power of house music, a ferocious mixture of musical styles kept in...
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The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021
Tiga, DJ Hell, Boy George, Danny Howells and Soulwax talk about Bowie's impact...
It was Bowie’s ability to experiment, trend-spot, paint lyrical images and create new personas — chameleon-like — in the '70s that gave him such a cult following.
Tiga, DJ Hell, Soulwax, Boy George and Danny Howells on David Bowie's influence on electronic music
David Bowie's back with a new album at the age of 66 — and he's never been more inspirational. A musical and cultural icon, it's his immense influence on dance and electronic music that's been his greatest contribution. DJ Mag talks to some of the biggest Bowie fans in dance and pop to find out why
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On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
Last weekend, one of the UK’s best-loved festivals, Houghton, was cancelled due to a typically British extreme weather warning in peak summertime. Among the acts...
Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...
When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
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The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...
To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...