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Results for: Rodney Bakerr

 A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...

It’s been four months since COVID-19 sent dancers into deep freeze. With no sign of a vaccine, the suspicion is that clubs will stay closed...

FL Studio 12 has a brand-new user interface that will leave a sweet taste for all that use it...

The big news from Image-Line the makers of FL Studio (or Fruity Loops as some of the older readers still call it) is that a...

Avid are not new to the digital DJing arena — but will they be the talk of the town with their Torq 2 digital DJ...

It all started with Jimmy Savile. Spinback to 1947, and legend dictates that Sir Jimmy, armed with nothing more than two turntables and a microphone...

Whether he’s making garage, bassline, tech-house or grime, DJ and producer Preditah’s sound is unmistakable. With his new tunes ‘Glucose’ and ‘Don’t Cry’ making waves...

For our 2018 Best Of British awards, DJ Mag teamed up with the Young Urban Arts Foundation charity, which aims to make a positive change to the lives of...

“I can’t go to my other studio ’cause I’ll get shanked,” says Mike, who proves to us that he can sing Afro-swing melodies as well as he raps...

The UK’s “dirty little rave” returns this weekend...

Field Maneuvers, dubbed the “dirty little rave” by its organisers, returns to a secret countryside location an hour outside of London this weekend (1st to...

It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...

In a period when the divide between the UK’s club scene and indie kids was as wide as it was bitter, Saint Etienne managed to...

Eastern Electrics, Creamfields, Houghton Festival, Yard: Open Air, Lost Village, Numbers @ EIF... 

The nights might be creeping in but that doesn't mean summer is anywhere near over, as the Top 30 UK events in August 2018 go...

Bitwig Studio finally hits the streets, giving producers the chance to create fresh new beats...

Few if any music production software titles have enjoyed the attention and hype that has surrounded Bitwig Studio for the last few years, with a...

Is wealth and privilege damaging British dance music, and if so, what should we do about it?

WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein

Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...

Pure Groove’s new Soundsystem is designed to give you the horn...

Some people may not get excited by club speakers; after all they are just a stack of black boxes in the corner making a noise...

Nicole Moudaber is the techno queen with a rock & roll attitude. She’s the fast-driving petrolhead who’s as at home behind the wheel as she...

Nicole Moudaber is hooked on adrenaline. As a DJ, producer, label owner and promoter, she’s created a huge fan-base thanks to a constant schedule of parties...

Fresh Kicks 181: FILM

New Delhi's FILM records a peak-time mix of broken techno and bass-heavy garage for the Fresh Kicks series, and chats to Joe Roberts about his cinematic debut album on Qilla Records, and elevating the new wave of Indian electronic musicians

“There’s definitely something bubbling under in India,” FILM, aka New Delhi producer, DJ and promoter, Sanil Sudan, tells us when we catch up about his...

Long-time electronic overlord Sasha has summoned all his creative powers to unleash his most spellbinding mix compilation yet.

Barely a week goes by without some muso or other declaring the death of the mix CD. And you can understand why, given the proliferation of free mixes that pop up like pop-ups each and every day on the worldwide web. Once every four or so years, though, all that changes, people forget to argue and unite in appreciation of the form once more.