It’s 6:25am and John Summit is still spinning fire. He’s in peak form as he delivers a dark and drilling after-hours set on the sports...
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The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far
With three decades as one of house’s biggest names under his belt, Roger Sanchez has seemingly lost none of his enthusiasm for the music that...
Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound
Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...
The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
His anthemic tracks for Innervisions, Life and Death and his own BOSO label dominated club sets in 2014, and even made the UK Top 10...
“I'm a straight guy,” says Ten Walls, aka Lithuanian producer Marijus Adomaitis, also known as Mario Basanov, as he fixes his gaze directly across the...
Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...
The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021
Meet Berlin's benevolent queen...
As a crusader for social justice, Germany’s Monika Kruse brings much more than techno to the global dancefloor. From Munich to Miami, her mission...
From bass heavy club sounds, forward-thinking electronic music from West Africa and hip-hop flavoured house, through cosmic jungle and battle-grade grime, here are the essential acts...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
With his new album, ‘Fragments’, on Ninja Tune, English electronic musician and DJ Bonobo has delivered his strongest, most versatile album since 2010's 'Black Sands'...
Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone.
Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him