In 2017, during his 21st rotation around the sun, DJ Lag was experiencing a moment that every artist dreams of but few ever reach. Gqom...
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Results for: Sam Divine
Cover Features
Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...
Features
From bass heavy club sounds, forward-thinking electronic music from West Africa and hip-hop flavoured house, through cosmic jungle and battle-grade grime, here are the essential acts...
Features
Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...
Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...
Cover Features
Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...
Features
He.She.They is a globetrotting party devised by Steven Braines and Sophia Kearney, aiming to bring together ravers of all genders, sexualities and ethnicities. DJ Mag joined them...
Steven Braines and Sophia Kearney of The Weird & The Wonderful are perhaps one of the most admirable success stories in the music industry. As...
Features
Ever since the revelations in Hollywood about film producer Harvey Weinstein, and the subsequent #MeToo stories of sexual misconduct, the dance music world has been...
THE DJ
“To be honest, it’s easier to come up with a time something sexist DIDN’T happen. There are so many instances I don’t know...
Features
South African gqom trio Phelimuncasi have risen to fame with their politically charged vocals and innovative beats. Makua Adimora catches up with them to learn about their new album ‘Ama Gogela’, their creative process, and why their music is here to entertain and agitate in equal measure
Features
Emerging technology, BODYHEAT, promises to make clubs more carbon neutral. Sophie Lou Wilson speaks to those behind it, the first club to trial it (SWG3 Glasgow), and others about how it works, as well as its potential and limits
Features
Orbital’s eponymous debut album, also known as The Green Album, was released via FFRR in 1991. As part of our Solid Gold series, Ben...
Features
From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...
Features
The Covid-19 crisis has thrown up many problems for the manufacturing and distribution of vinyl. Bruce Tantum speaks to a selection of record shops, labels...
Baldy DJ Lee Burridge sends us his diary every month. This time he reports from Down Under, where he narrowly avoided getting eaten by a...
I had my heart set on Melbourne as one of the seven locations for 365 in the first year.
I chose it for many different...
Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone.
Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...
Features
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
Features
Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever