It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...
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Double Trouble in Singapore
After 12 years of throwing outdoor beach parties, Singapore’s Zoukout switched from a one-day event to a two-day extravaganza. DJ Mag went along for the ride…
The ADE parties you can’t afford to miss...
There are certain things you should avoid at ADE. The bikes and trams barrelling towards you when crossing the street would be one. Roaching the business card of that important new contact you made at the conference would be another.
Part two of our 'Black Sun' interview...
Here, we talk to regular Kode9 collaborator and vocal foil Spaceape (Stephen Gordon) about their new album together, 'Black Sun'...
How did you first...
Features
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
Features
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Features
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
We catch up with the enigmatic DJ/producer to talk music production, Pryda Presents and why he loves the White Isle...
Eric Prydz rarely does interviews, but DJ Mag Ibiza has managed to snag him for a chat about his new Ibiza residency — the first...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
DJ Mag takes a look at legendary cosmic jazz adventurer Sun Ra
A HUNDRED years ago a man named Herman Poole Blount was born in Birmingham, Alabama. Although he would have disputed that, for not only did...
Eight years in, and the house kid from Bordeaux is all grown up...
It’s hard to believe that Hugues ‘Bobmo’ Rey has been firing out leftfield dancefloor bombs for nearly a decade. Bursting onto a French scene that...
Little Dragon's unique mix of R&B and electronics has captivated many...
Little Dragon married young, you might say. It was at high school, still in their teens, that the Gothenburg four-piece met, a good decade before...
We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...
Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...
Laurent discusses his free mix CD
He's mixed this month's storming SW4 covermount mix, packed with fresh French artists, ahead of an appearance at the festival. Fired up by his country's dance renaissance, he talks to us about that and loads more...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.