It all began with Pokémon. A digital world of endless exploration, it’s a common place for kids to lose themselves entirely; a fantasy of bright...
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Leeds-based rapper ATO uses music to reflect on his life and show an alternative side to the London-centric perception of Black Britishness. Ahead of his...
From bass heavy club sounds, forward-thinking electronic music from West Africa and hip-hop flavoured house, through cosmic jungle and battle-grade grime, here are the essential acts...
These are the DJs set to battle it out in Vienna
Following incredible NYDJAY events in some of Europe's hottest clubs, it is time for the NYDJAY by NEW YORKER Grand Finale, which takes place at...
Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
With clubs and festivals back in full swing in the UK, DJ Mag speaks to a range of club-goers, from DJs and bar staff to...
Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
On Cue is our newly relaunched flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both...
Mr. Mitch is enjoying making people dance.
A move away from the delicate aesthetics of his last EP, October 2018’s ‘Primary Progressive’, Mr. Mitch’s latest...
As one half of the duo behind behemoth label and party series Solid Grooves, UK DJ and producer PAWSA has been a quiet but powerful...
Across the UK, there's a bubbling scene of young producers and DJs, re-shaping garage for a new generation of ravers. DJ Mag speaks to some...
To mark the release of his new LP 'Will' on Smalltown Supersound, DJ Mag catches up with UK producer Matt Karmil to talk ambience, influence...
Music has been saving Matt Karmil’s life since he was a child. Spending much of his early adolescence debilitated by illness – which would later...
Refuge Worldwide resident Stem whips up a vortex of percussive, experimental club music for the Fresh Kicks mix series, and chats to Niamh O’Connor about...
<p>It’s a good job Italian DJ/producer Riva Starr loves his job...</p>
The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story