Set around a lake in the stunning parkland belonging to Houghton Hall in Norfolk, Craig Richards’ Houghton Festival has survived against the odds. After being...
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We catch up with the Detroit-born Kris Wadsworth
Detroit-born Kris Wadsworth talks to us about Plastikman, giving up drink and drugs, still playing vinyl in a digital age, and making more fucking tracks for labels like Hypercolour, Morris/Audio, and Get Physical from his adopted city of Berlin...
Sound Factory legend talks voguing, Madonna and his European tour
Across Paris, London and New York, the sound of ballroom is again infiltrating every area of dance music, from Vaggio's 'Don't You Want Some More'...
From disco through to freestyle, Miami bass, hip-hop, tribal, tech and Latin house, Miami has always had a rich and vibrant club scene. Prior to...
"In Miami, dance music has always been about the drums, whatever style of music it is," grins DJ Oscar G, one half of Murk, co-owner...
Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...
Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...
Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece
With its on-the-pulse line-ups, great sound and inclusive atmosphere, Gonzo's Two Room is making Norwich a dance music destination. Here Ben Murphy heads to the club, and chats to its team, to learn what makes it so special
East London’s Jeshi documents personal struggles, social contradictions and life’s day-to-day mundanities with a wry wit and relatable appeal. For this month’s Meet the MC, Rahel Aklilu speaks to him about the observational songwriting of his debut album, ‘Universal Credit’
Nantes-based DJ, producer and Livity Sound affiliate Simo Cell jumps from bass-heavy club beats and breaks into rap, trap and back again in his hyperactive...
Clubbing has a rocky history with being portrayed on the big screen. Those that get it right are a timeless snapshot of dancefloor experiences, whilst...
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...
Ralph Lawson's Leeds house music institution 2020 Vision celebrates 20 momentous years...
Leeds house music institution 2020 Vision celebrates 20 momentous years in 2014. Here, label boss Ralph Lawson remembers two decades of one of the UK's...
Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...
DJ Mag talks his new LP as Deadstock 33s & scores a first listen.
Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...