The music of Francis Harris and Anthony Collins seems, on one level, to exist in a world of their own making. Working together as Frank...
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A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Cheeky bubblers incoming...
Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...
Rising Dutch star Quintino provides a master class in humility, giving back to his fans and explaining why you should never go soft..
Jack Revill's love affair with decks goes back to his days kicking about Glasgow...
Around the time his mum passed away, Jack Revill met Calum Spencer on Byers Road in Glasgow. “Are they real vinyl records?” he asked in...
UK DJ, now based in Brazil, tells us his World Cup antics
Murray Richardson started off DJing in Scotland before spreading his talents far and wide internationally. He's released on labels such as 2020Vision, Low Pressings, Nordic...
Bringing the gap between classic techno magic and next level futurism, Vin Sol and Matrixxman are the production duo suddenly taking the field by storm...
words: REISA SHANAMAN
Vin Sol and Matrixxman (born Charles McCloud Duff) are more than merely musical partners, who share a studio space and consistently collaborate...
Out of club music’s modern-day practitioners, few go deeper than Francis Harris and Anthony Collins. Producing under the Frank & Tony banner, working in the grand tradition of the sound’s pioneers, the duo has just released ‘Ethos’, their first long-player since 2014’s ‘You Go Girl’. Here, they speak to Bruce Tantum about their creative partnership, the uniting power of the house groove, and melancholic beauty of everyday life
With his new podcast, Queerly Beloved, Northern Irish DJ Cormac explores what it means to be a queer artist in dance music today. Interviewing contemporary figures about their histories of queer discovery, the Panorama Bar and fabric regular continues an intergenerational conversation surrounding the life-affirming moments, communal experiences and enduring challenges of LGBTQ+ expression. Alongside an On Cue mix packed with HI-NRG anthems and Italo house, Marke Bieschke learns more
Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
South African gqom trio Phelimuncasi have risen to fame with their politically charged vocals and innovative beats. Makua Adimora catches up with them to learn about their new album ‘Ama Gogela’, their creative process, and why their music is here to entertain and agitate in equal measure
Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece
As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution
Tali was the first female drum & bass MC to feature on DJ Mag’s cover in 2004, coinciding with the release of her debut album ‘Lyric On My Lip’ on Full Cycle. Nearly 18 years on from that trailblazing release, Jake Hirst connects with the artist to discuss her self-produced eighth studio album, ‘Future Dwellers’, and the journey of self-worth that lead to it
Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test