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We chat to the UK dance king Eats Everything

Dan ‘Eats Everything’ Pearce is massive. Not just in stature (much as he likes to take the piss out of his occasionally generous girth), but...

We catch up with the enigmatic Superfreq as he celebrates 25 years in the game!

Mr C is an enigma. Celebrating 25 years in the game, the man born Richard West has played an integral part in the development of quality electronic music over the last quarter of a century or so.

Boys Noize opines on following true love, searching for the perfect sound, meeting Skrillex and Deadmau5, and having a strange relationship with melody...

In Germany towards the end of the nineties, Berlin was synonymous with hard-edged techno sounds but Hamburg was flying the flag for a more traditional flavour of house music. So the young Alex Ridha grew up surrounded by influences from Detroit and Chicago, which provided the fuel for a serious life-long vinyl addiction.

After the recent tragic deaths of two people at Mutiny Festival in Portsmouth, the issue of drug safety testing has been thrust into the spotlight...

The whole point about harm minimisation is admitting that people are always going to take drugs, whatever anyone in authority says or does — so...

Spectrasonics' Omnisphere 2.0 Power Synth delivers out of this world sounds...

It’s been a long time coming, and for many the wait was almost too long to bear. Finally, a plugin that has shaped the dance...

Push it real good

In a previous issue in DJ Mag Tech we saw how Ableton’s flagship production software, Live, has evolved into an improved powerhouse, with the new Version 9 release. However, not content with bolstering their software to be all-powerful, the guys at Ableton have added an extra dimension to the whole package. It’s obvious in their minds that software is not enough, and so exploring the next level seems like the logical progression.

Waves’ new V9 plug-in upgrade has made a big splash in the world of digital audio plug-ins.

When it comes to the world of studio effects plug-ins, few companies have been around as long as Waves, whose first product, their Q10 paragraphic EQ, was released in 1992. Even fewer have built such an outstanding reputation among the studio community for producing consistently awesome sounding plug-ins.

Rob Papen’s new virtual drum synth, Punch beats its way into our hearts

Every producer’s Dutch genius Rob Papen has been a bit quiet of late, leaving many of us to wonder if and when he would grace...

Steinberg’s WaveLab 7 sets tongues wagging in the studio world

Steinberg first released WaveLab in 1995, and since then it has been at the forefront of audio editing and mastering software. It has been a...

We pick Pearson's brains...

One of the most consistently brilliant producers whether on the dancefloor or in more contemplative mood, Ewan Pearson's excursions into deep house, Detroit techno, electro...

DJmag reports on the decision by Ibiza's seven big clubs to stop competing with one another...

Everyone from hardcore ravers to clubbing dabblers had Ibiza top of their summer 'to do' list in the late 1990s.

Now the number of visitors...

From Paradise Garage to the Space Terrace, David Morales has played it all. His DJ sets and releases dominated dancefloors across the world for more...

You’re living in Europe now after a long stint in NYC. Why did you decide to move over?

“The quality of life is so much...

Two respected producers lock horns over new NI technology

Stems are the latest bit of tech designed to change the way DJs and producers play live. But there's been some divided opinion as to...

We catch up with 'friend of DJ Mag' Idris Elba ahead of our Best Of British awards

“It’s a neo-political heist film, which I like — it’s pretty smart,” he says. “I’m really working hard at it at the minute, doing lots...

The MC from The Prodigy answers some curveball questions...

Maxim is best known as the MC from The Prodigy, probably still the biggest and most dangerous electronic act on the goddamn planet. He's the...