When I met SOPHIE for DJ Mag in 2019, I was struck by the artist’s singular vision. In the chaotic fug of Ibiza, SOPHIE shone...
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LTJ Bukem - the undisputed don of dreamy drum & bass - is back with a killer 'FabricLive' mix and a resurgent Good Looking Records
It’s arguable that, Goldie aside, nobody did more to disseminate drum & bass in its early years than DJ/producer/label kingpin LTJ Bukem. His spacey, rolling...
The EVO5 is amongst the new breed of mixers taking centre stage in the digital DJ rig, but should it be your nerve centre?
Ecler's latest mixer, the EVO5, is loaded to the brim with technology. It features a six stereo in/out soundcard, complex multi effects and extensive Midi...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Saul talks about his new album, collaborations and a hatred of pirates.
Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.
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When news broke about SOPHIE's tragic passing in January 2021, the music world was stunned. A visionary artist who released on Hutleys + Palmers, Numbers and PC Music, and worked with stars such as Charli XCX and Madonna, at 34, it felt like SOPHIE was just getting started. Anna Cafolla, who wrote DJ Mag’s cover story on SOPHIE in July 2019, pays tribute to the unique artist’s authenticity and artifice
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Brooklyn’s Ayesha blazes through a selection syncopated club sounds, thunderous techno and twisted breaks in her high-velocity Fresh Kicks mix, and chats to Eoin Murray...
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In the U.S. music fans are eagerly awaiting the safe return of clubs and festivals, but there are risks to consider before going back to...
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In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...
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Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
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The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...
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The dance music history of East Anglia is rich, multi-layered and messy — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution
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Amsterdam-based brit Paula Temple is renowned for her full-throttle hybrid performances and punky industrial productions, which have earned her wide respect across the techno scene...
The parties that need to be on your radar
Pretty much everything is on offer, from the best under-the-radar labels to the biggest brands in EDM today. Whether it's the coolest, most hip sounds making waves in the industry right now or the glitz and glamour of big room arenas you're after, it's all here for you to get stuck into. So, apply some spectacles and brew up a cuppa; it's time to make some party plans...
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
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With acrobatic club cuts, rave eruptions, and radiant pop manipulations, Edge Slayer crafts an hour of pure dancefloor hysteria for the Fresh Kicks mix series