“I was visiting my cousin Jay,” remembers Julie McKnight of one special night in a New Jersey living room 20 years ago. “Sandy, the other...
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DJ also attacks failed drug policing...
Howie B has condemned the Police for their handling of fabric, both in the current case involving the deaths of two 18-year-olds from drug overdose...
A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal
DJ Mag attempts to find out just why he's so popular...
Mladen Solomun is a big chap. A big, bearded Balkan bombshell with a penchant for mashing up epic strings and sprawling synth-scapes with the odd...
Hunee is the fearless DJ with super-eclectic taste. As happy dropping disco, African rarities, vintage Italo, boogie or up-to-the-minute electro, he’s refused to compromise on...
It’s mid-summer 2016 and Jeremy Underground is spinning on the main stage at Farr Festival in Bygrave Woods. High above the packed crowd in front...
Adam Beyer is one of the biggest names in techno, renowned as much for his DJ sets as his highly successful Drumcode record label. Ahead...
Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...
The latest and greatest DJs and producers rising to the top this month. From found sound turntablism, techno and two-step to experimental soul and glossy...
Neurodiversity refers to a wide range of neurological conditions including ADHD, autism, dyslexia and Tourette syndrome. After being diagnosed with ADHD and suspected autism earlier this year, DJ Mag writer Harold Heath began to wonder: is there a particularly high number of neurodivergent people in the scene? Here, he embarks on a personal journey to try and understand the relationship between neurodiversity and dance music, and its wider relevance within the scene
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
In 1997, Moodymann released his debut LP, ‘Silentintroduction’, via Carl Craig’s Planet E imprint. A compilation of some his best early tracks, the album captured...
Jack Revill's love affair with decks goes back to his days kicking about Glasgow...
Around the time his mum passed away, Jack Revill met Calum Spencer on Byers Road in Glasgow. “Are they real vinyl records?” he asked in...
The last decade has yielded some extraordinary innovations in dance and DJ culture. Below, we count down some of the most significant technological tools to...
It’s 2008. Armin Van Buuren has won the DJ Mag Top 100 DJs poll for the second year running. Gordon Brown has shakily taken the...
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
Chicago trio on their b2b2b tour
Three of Chicago's most respected DJs, they're repping real house music harder than ever in an age of commercialisation and corporate EDM. Touring together as Back to Back to Back, we thought it was time to pick their brains about their Chicago beginnings, the switch to digital, the US dance boom — and where they're at now...