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Free grime/deep house EP from Matta

Matta are a London based bass music duo, boasting solid releases and some more than prolific support in the form of names such as Bjork...

John Digweed takes the Hot Seat....

John Digweed is an enigma. He began DJing at the age of 15 and started putting on parties in his home town of Hastings on...

Navigate Detroit’s Movement like a veteran

Detroit's Movement Electronic Music Festival (formerly DEMF), one of the best underground techno and electronic music festivals in the US, is just a month away...

Music sounds better in the sunshine. Just ask Louie Fresco

Starting his dance music career as part of a small electro outfit in 2006, Louie Fresco made a tune that was picked up by Justice...

Second album out now on Drumcode

Italian DJ/producer Joseph Capriati is the next techno DJ to break into the big league. He's about to release his second artist album, 'Self Portrait'...

If you only go out once this month...

Octobers top nights

DJ Law, the man behind drumtrip.co.uk — “where it's '94 everyday”...

We decided to talk to the man himself to learn a little bit more about it...

We chat all tings RBMA with T Williams

RBMA has just wrapped up another successful season in New York. DJmag went along stateside to join up with some of the guys and gals in the second session to discuss all things musical and to soak up the vibrant atmosphere in the Big Apple…

Style with added substance

The V-MODA Crossfade M-100 headphones sound every bit as good as they look...

Waves’ new V9 plug-in upgrade has made a big splash in the world of digital audio plug-ins.

When it comes to the world of studio effects plug-ins, few companies have been around as long as Waves, whose first product, their Q10 paragraphic EQ, was released in 1992. Even fewer have built such an outstanding reputation among the studio community for producing consistently awesome sounding plug-ins.

Loud, proud and out there, Skullcandy’s range of headphones are an acquired taste — but are they sweet or sour?

Let's face it, Skullcandy don’t do anything by halves. Their headphone range is right in your face, and with this marketing approach they have definitely captured that Marmite feeling — you either love them or hate them, and that’s before using them in a clubbing DJ environment.

Spectrasonics new virtual synth Omnisphere 1.5 raises the bar yet again

Spectrasonics have unveiled a major new version of Omnisphere, their flagship virtual synth. This beast has just got even meatier, with a load of new...

BRINGING IT ALL BACK HOME

It’s not often that we become excitable. In fact it’s a downright rare sight to see raised eyebrows and excited conversation when a new product...

Hot Creations' young new talent

Groove is a word that keeps cropping up whenever the name Robert James is mentioned. Handy that when you just so happen to be one...

KAM’s LED Powerbar promises to make quality lighting effects both cost-effective and easy. DJmag investigates...

Anyone who has ever lurked around a club during the day will know just how much lighting can effect the atmosphere of a space. By...