This is the fourth year that DJ Mag has presented the Alternative Top 100 DJs list in association with Beatport. In 2021, the genres included...
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Results for: Souped Up Records
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The Prodigy’s fans — nicknamed the Ant Army — are some of the most dedicated for any band. Ahead of their new album, Prodigy expert...
Last year was an incredible year for party boys Solardo. Playing over 200 high-profile gigs, traversing the globe like a well-oiled machine, the Manc lads...
The Solardo boys are standing by the canal in Haggerston, east London. They’re dressed in sharp black suits and bowler hats, a far cry from...
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Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...
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As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...
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From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...
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After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
The unstoppable Swedish House Mafia - Axwell, Sebastian Ingrosso and Steve Angello - bring their power-house to their new Ibiza residency. And right now it...
Ibiza, Pacha, 4am, and a night that’s already hit dozens of precipitous highs is launching itself upwards to its dizziest high yet. The dancefloor is...
Features
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound
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It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
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Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city
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The latest and greatest DJs and producers rising to the top this month. From tripped-out rap and laid-back house to rapid-fire breakbeats and more, here's April 2022's list of upcoming talent you should be keeping track of
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New York’s Baltra left behind a career in the stock market to pursue his real love of music. With his debut album ‘Ted’ showing his...
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Jumpin Jack Frost is one of the foundation pioneers of drum & bass, and still as active as a DJ in the scene as he was...
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London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy. As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more