Autumn has arrived in Berlin, all bright and crisp. Eris Drew opens her windows and the air cuts through the scent of lavender inside. There’s...
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The results are in for DJmag's Tech Awards 2006. Which DJ kit is the best? Here's what DJmag readers and our panel of experts said.
As DJ technology continues to develop at an astonishing rate, it's been another great year for new products.
DJmag's annual Tech Awards is a chance...
Driven by an inquisitive nature and an unshakeable love for the dancefloor, deep house innovator Powder is taking her passionate eclecticism beyond the cities of...
Listening to Powder is like watching a synchronised swim routine. Agile, rhythmic movements appear as organic as they do complex, her sound as exhilarating as...
Inspired by the Midwest American raves that first got her hooked on dance music, Chicago’s Eris Drew wants to bring a psychedelic communal energy and...
London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy. As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more
After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself
A fusionist known for intense bass and intricate drumplay, DJ and producer Hagan has built a name for himself by blending the sounds of UK...
With a range of sounds encompassing slo-mo house, gothic EBM, Italo disco and more, and an equally unrestrained art direction, Freeride Millenium is a no-holds-barred expression of love between its founders Jorkes and Daniel Rajcsanyi, aka ParisBöhm, and the queer community they aim to uplift. Alongside a mix of tracks from its catalogue, they share the label’s story
After well over a decade in the game, Birmingham rapper Dapz on the Map drops his debut album ‘Landed’ in October. He speaks to DJ Mag about how grime has matured and embracing the emotional vulnerability of his lyrics
Chicago footwork artist Heavee steps up for the Recognise mix series, and speaks to Arielle Lana LeJarde about following in the footsteps of their mentor DJ Rashad by releasing an EP on Hyperdub, and how cartoons and video games helped lead him to a life in electronic music
DJ Mag Ibiza speaks to Lenske label boss Amelie Lens about her renowned EXHALE parties, the White Isle, and supporting new and other established artists ahead of her Wednesday night residency at DC-10
Panorama Bar’s newest resident, Augsburg's Sedef Adasi, balances blissed-out house with rave-ready acid, trance and electro in her Recognise mix, and tells Sophie McNulty about her route into DJing, fostering a sense of togetherness through music, and why she's not moving to Berlin
The Space Miami resident was first introduced to clubs as a child by her famous dad, but since then, Layla Benitez has made her own way in the industry and followed her own musical path. Ahead of playing our Miami Pool Party next week, she speaks to Niamh O'Connor about her rise as a touring DJ
In this month’s Meet The MC, DJ Mag’s Amy Fielding speaks with rising Norwich rapper, Darri T, about his impressive debut album, the importance of honesty in songwriting, and his everlasting love for the UK’s rap scene
As likely to play South African hip-hop as she is Congolese rumba, Egyptian jazz or Brazilian boogie, Gauteng-born, Manchester-based SNO is spreading the word about music often overlooked by the Western industry. Alongside her genre-spanning Recognise mix, she speaks to Kamila Rymajdo about familial influence, her chance start in DJing and sharing the music she loves
For his first album in nearly seven years, Fort Romeau drew inspiration from past eras, and places that have lingered in his imagination. But, he says, he never lets nostalgia be a stylistic trap