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Results for: Speakers

Photo of Sepehr posing at a slight tilt, wearing a black leather vest

With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band

If anyone is going to be searingly candid about real life in the music business, it's Sepehr Alimagham Tabari. With his four-year-old label Shaytoon Records...

Timmy Trumpet: brass tacks

An accomplished jazz musician, Timmy Trumpet made the switch to electronic music some years ago and has quickly become one of the world’s biggest DJs, famed for his ecstatic energy, collaborative mindset and improvised trumpeting on stage. DJ Mag speaks to Timmy — and his wife Anett — about his journey so far

“My friends and I used to make fun of dance music when I first got into it,” laughs Timothy Jade Smith, rather sheepishly. At that...

Jeshi

East London’s Jeshi documents personal struggles, social contradictions and life’s day-to-day mundanities with a wry wit and relatable appeal. For this month’s Meet the MC, Rahel Aklilu speaks to him about the observational songwriting of his debut album, ‘Universal Credit’

"This is less of a big, brash political statement, which you’d expect because of the title, but rather a collection of observations from a man...

Festival crowd artwork

Most DJs love playing festivals, but what should you do when you’re asked to play one for free, and even cover certain costs yourself? Ria Hylton speaks to DJs Sheba Q, Harold Heath, Charlie Dark and others, along with festival organisers, to find out

Imagine this: you’ve been playing lowkey sets around your hometown for some years, run a small but well-loved party series and have landed a regular...

Stay True Sounds logo on a pink background

South Africa’s biggest independent label is taking house music to new heights and changing the lives of local artists in the process. Alongside a mix of tracks from its catalogue, founder Kid Fonque speaks to Kitty Amor about the rise and rise of Stay True Sounds

Over the past six years, three words have come to dominate any conversation about South African electronic music: Stay True Sounds. Recognised as the biggest...

On Cue: Perel

NYC/Berlin-based DJ, producer and vocalist Perel records a mix of wavy nu disco, thumping house and Italo for the On Cue series, and speaks to Katherine Rodgers about regaining her confidence after a debilitating label experience, and her bold and irreverent new album, ‘Jesus Was An Alien’

With her bright, exuberant personality and predilection for infectious dance music polished to a pop sheen, you’d be forgiven for thinking of German DJ and...

Recognise: Ploy

Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test

In February 2020, Ploy shared a bill with Batu and Loraine James, celebrating five years of Batu’s label, Timedance. Playing the closing hours of the...

On Cue: Chrissy

San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’

Does rave need a do-over? Three decades on, some of the movement’s most ardent believers have become its fiercest critics. 
“Our scene has failed to...

clubbing with crowds and plants

Emerging technology, BODYHEAT, promises to make clubs more carbon neutral. Sophie Lou Wilson speaks to those behind it, the first club to trial it (SWG3 Glasgow), and others about how it works, as well as its potential and limits

Fifteen minutes’ walk from the site of the 2021 UN Climate Change Conference, there’s a nightclub. SWG3 is an independent venue that has put on...

Lukas Wigflex and the team behind his eponymous party brand have offered the people of Nottingham countless opportunities to let loose over the past decade...

“The first few events were all just a bit of fun. We just wanted to hear the music we liked that wasn’t being played in...

Detroit's DJ Minx has been championing the electronic sounds of her hometown since day one, but has flown under the radar for much of her...

If anybody’s paid their dues, it’s Jennifer Witcher, aka DJ Minx, Detroit’s “First Lady of Wax”. She’s been here all along, representing the future sounds...

DJ Mag Ibiza meets the DJ/producer to talk studio secrets, old skool Ibiza, and how to avoid homogeneous DJ sets...

He’s the latest superstar DJ to nab himself a season-long residency at one of Ibiza’s top superclubs, but Maceo Plex isn’t playing by anyone’s rules...

Ikonika's back with a fresh electro-funk sound.

Far from retro, she's dragged us into a new digital dimension. We talk pop, reshaping history and optimistic futures with one of the world's most forward-thinking producers...

Whether you call their music Dirty Dutch, the Dutch Sound or just Dutch house, the main players from Holland's house scene such as Afrojack, Chuckie...

The Dutch, in case you hadn't noticed, are taking over. Following years in which the country's trance DJs have occupied the upper echelons of DJmag's...

The cover of Voices From The Lake on a forest green background

First released in 2012, Donato Dozzy and Neel’s groundbreaking self-titled album as Voices From The Lake changed the landscape of ambient techno, and set a new course for minimalist electronic music. Rob McCallum learns how the ripple effects of its legacy are still being felt like a pulsating torrent today

It’s late summer 2011, and Italian artists Donato Dozzy and Neel are nearing the end of a three-hour drive spent listening to material they’ve recorded...