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On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

One of the world’s great party cities, Berlin is facing up to the COVID-19 pandemic in its own unique way. How are the clubs getting...

It’s a Sunday afternoon in early October, and the trees in Berlin are clinging onto their leaves. Soon, they’ll fall away, revealing the graffiti-strewn yellows...

Photo of Marcia Carr DJing on vinyl, holding a record sleeve in one hand and singing passionately

Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story

“There were times, I can’t do it now — don’t even ask me — where I ran up walls and did backflips.” On what feels...

Norma Jean Bell LP cover

Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”

If you look in the ‘about’ section on Norma Jean Bell’s Facebook page, it says, simply, “I’m the baddest bitch in this room...” It's a...

As part of DJ Mag's round-up of all the best in dance music in 2019, and in the 2010s, we decided to spotlight some of...

The latest and greatest DJs and producers rising to the top this month. From full-throttle club music and experimental techno to bouncy house grooves, here's...

A future hero of UK electronic music, Doncaster-born, London-based India Jordan has become a vital figure in a few burgeoning scenes in recent years. As...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

The low spring sun is struggling to make a difference as the staggered city peaks of Central London interrupt its pale light. We’re at 180...

With the festival phenomenon showing no signs of slowing down, there’s something on offer for everyone in the UK this season...

Since its inception in 2016, Dublin Digital Radio has become a vital community outlet for many Irish DJs and producers, and has been of added...

For music fans that feel at odds with the algorithmic nature of streaming platforms, online radio is delivering an alternative source of music discovery and...

DJ Mag USA gets the inside scoop on WMC from your fave DJs...

The year is 2017. The month is March. This means one thing: We are going to Miami where the heat is on all night on...

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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

Kaidi Tatham by Dan Medhurst

With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music

On a Saturday lunchtime somewhere in Belfast, Kaidi Tatham — DJ, producer, multi-instrumentalist and one-time member of influential production crew Bugz In The Attic —...

11 emerging artists you need to hear this February

The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of

South-East London DJ and vocalist Ell Murphy has been making waves with her multi-genre mixes and releases. Behind the decks, she combines both disciplines to...

Debit

On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”

Delia Beatriz stands at a unique intersection in electronic music. As Debit, the Monterrey, Mexico-born, New York-based producer, DJ, audio engineer and live artist has...