Skip to main content

Search


Results for: Speed Garage

Murray Richardson reports on his and Stuart Patterson's tour adventures

We take off to Heathrow airport late afternoon and as the taxi heads through London we are well pleased with ourselves as it's pissing down...

Steinberg’s WaveLab 7 sets tongues wagging in the studio world

Steinberg first released WaveLab in 1995, and since then it has been at the forefront of audio editing and mastering software. It has been a...

The FUSE main man tells us about the tracks that helped shape the DJ he is today

 

Tales of the unexpected

Holland's Mysteryland odyssey reached its 20th year this summer. And DJ Mag was there to taste its many weird and wonderful delights...

Outspoken and self-reflective, GRiZ is back with his sixth studio LP, ‘Ride Waves’. DJ Mag met the Detroit star recently to talk life's highs and...

Grant Kwiecinski has found his zen. Better known to fans as the saxophone-slinging GRiZ, the 28-year-old producer, DJ and instrumentalist is one of those precious...

The dance scene owes much to gay culture...

 

Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...

Position: 10
Movement:   1

One of the most recognisable producers in dance music, Deadmau5 has blazed a trail on his own terms delivering countless albums and some of the...

There's no doubt that Deadmau5 is somewhat of a controversial figure in dance music – you either love him or hate him – but make...

"I could list the differences bar by bar"...

Hannah Wants has issued a statement in response to allegations that her new track 'Found The Ground' is a copy of Joy O and Boddika's...

On Cue: Chrissy

San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’

Does rave need a do-over? Three decades on, some of the movement’s most ardent believers have become its fiercest critics. 
“Our scene has failed to...

Re-Textured, Bangface Weekender, Tuff Life... 

It's a month of change to say the least, with British summertime arriving and EU leaving drinks still possible. Some things always stay the same though—...

Do SenDo Sennheiser’s new pro DJ headphones, the HD8 DJs, deliver the wow factor?

Sennheiser have been at the top of the heap when it comes to DJ headphones for over 25 years. Their HD25s have won many awards...

Redlight - the artist formerly known as Clipz - is flipping the dance script, shattering genres into a million pieces and pioneering a mongrel music...

As acolytes of electronic dance music, we tend to consider ourselves a fairly fortunate bunch. Within the panoply of different styles, genres and sub-strands, it's...

Dubstep original will never turn his back on the sound that made him

As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.

Christchurch, New Zealand duo Ebb & Texture drift from drill, dubstep and grime into blistering UK techno, breaks and jungle in their Fresh Kicks mix...