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Results for: Stereo

DJ Mag visits French producer Madeon in his LA home to learn about his meticulous process, and why he’s happiest when he’s working

Standing in Madeon’s living room, it feels like his entire home is floating. The Hollywood Hills house is located at the top of a steep...

Ever since the revelations in Hollywood about film producer Harvey Weinstein, and the subsequent #MeToo stories of sexual misconduct, the dance music world has been...

THE DJ
“To be honest, it’s easier to come up with a time something sexist DIDN’T happen. There are so many instances I don’t know...

 

 

Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...

 

It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...

When is a band not a band? We aim to find out...

When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...

TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...

Jennifer Lee climbs up a set of stairs at Mack Sennett Studios in between a number of elaborate costume changes, during an all-day photo shoot...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

For recording mixes at home, learning to DJ, live streaming or scratching the itch of playing your favourite tunes back to back, affordable controllers have...

Buying your first controller can be overwhelming. Not only is there an endless amount of choice, many of which look almost identical to each other...

Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...

An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...

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Andy C explains how he's always kept the faith with drum & bass...

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021

Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...

Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...

As countries across the Global North vaccinate their populations against Covid-19 and exit pandemic-related restrictions, the dance music industry is entering a moral and ethical...

A press shot of Flume in a striped jumper, holding a bunch of white flowers against an orange backdrop

Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story

Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Harley Edward Streten, on...

tiffany-calver

Tiffany Calver is redefining the role of the rap DJ. As well as helming the influential Rap Show on BBC Radio 1Xtra, she hosts club nights, runs her own label, and DJs for superstars. But, as she reveals to Christine Ochefu, her journey to the top hasn’t always been easy

When Tiffany Calver was a child, her mother made sure she knew exactly who she was. “It was a standard in my house; my mum...

DVS1 is one of techno’s most well-respected DJs. He’s paid his dues, spent a couple of decades getting to where he is today, and it’s...

“I just did the closing in Berghain,” Zak Khutoretsky says. “Played a little over 11 hours, got a little rest, and now I’m here with...