SHERELLE's BEAUTIFUL label and the Danish audio firm AIAIAI are partnering on a new initiative aimed at supporting Black and LGBTQI+ artists, comprising free workshops...
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The project will encompass a new studio space, academy and workshop programme, and an exhibition series
Cheeky bubblers incoming...
Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...
We catch up with the legendary DJ before his stint at Pikes Ibiza to talk bright coloured speedos and Ibiza anthems...
DJ Harvey is back at Pikes Hotel this season with the third round of his popular residency, Mercury Rising. He’s also taken on a new...
Features
Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era
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Boomtown Fair, Parklife, Reading & Leeds, and many more have backed the initiative
Features
Growth of the festival industry shows no sign of slowing, but the sector faces more issues than ever before. Emissions and waste need urgent attention...
With a host of monikers and diverse productions to his name, DJ Pierre has driven the development of dance and is still at the forefront...
Phuture, Pfantasia, Phantasy Club, Photon Inc, Audio Clash, Darkman, Doomsday, P-Ditty, The Don… all past aliases for Nathaniel Pierre Jones, better known as DJ Pierre, the man credited with kickstarting a movement in 1987 with ‘Acid Tracks'. Although a seismic claim to fame, this happened over a quarter century ago, most recently reactivated on Terry Farley's monumental 'Acid Rain' box-set. But, since then, Pierre has continued to chart one of the most idiosyncratic paths in house music, undyingly committed to developing new sonic mutants to send crowds bananas on his punishing schedule of globe-trotting DJ gigs.
Features
Meshing dancehall, dub, techno and industrial, Bristol’s Bokeh Versions label has carved a unique niche in the UK underground Alongside a 100% Bokeh mix recorded...
Josey Rebelle is a reluctant cover star. The North London DJ's career has been a real slow burn, building a loyal UK fanbase through her Rinse...
The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
Apollonia are the gods of groovy, stripped-back underground house music. The French trio — consisting of Dan Ghenacia, Shonky and Dyed Soundorom — have been...
It’s late May 2017 in Ibiza, and the end of a long week of opening parties on the island. Shortly after Apollonia close the terrace...
Josh Wink, Dimitri from Paris, Catz 'N Dogz, Richy Ahmed...
DJ Mag Ibiza chats with some of world’s biggest DJs — from Booka Shade to Josh Wink — to ask the question: “What’s your most...
We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...
Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...
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The London venue had its licence revoked on Tuesday (27th) following a review by Tower Hamlets council
Features
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings