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The aftermath

You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...

The DJ Mag USA cover star keeps it all in the family, DIY style...

After a decade spent pushing creative new sounds through the European underground, Solomun celebrates Diynamic Music's 10th birthday with a party concept that's as unique...

We peer inside the world of Pan-Pot...

Some things in life just happen; the stars align or elements combine for a perfect chemical reaction. That's Pan-Pot. Meeting in their early 20s by...

DJ Lee Burridge sends us his diary each month. This time, he reports from Miami and all the craziness of his '365' world tour.











'365' World Tour Diary - Destination: MIAMI Each month Lee tears the pages out of his diary and sends them to DJmag.com

Words: Lee Burridge...

Kuedo's widescreen synth futurism

Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional

The passing in May of composer Vangelis showed just how much influence the Greek synth pioneer has over electronic music. A BBC tribute showcased tracks...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...

Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...

From Ibiza to Berlin to Oslo, Germany’s Anja Schneider is embracing her newfound freedom with a brand new label and her first solo album in...

“Try this, it’s delicious.” Anja Schneider scoops a forkful of melon and cheese onto a plate, pushing it across the table with a nod. The...

Meet Berlin's benevolent queen...

 As a crusader for social justice, Germany’s Monika Kruse brings much more than techno to the global dancefloor. From Munich to Miami, her mission...

We catch up to find out all about his new project...

Carl Craig, one of the most important artists in techno, has been working with an orchestra to breathe new life into some of his back...

We shine a light on the names destined to have it large this year...

Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...

The beckoning stars of 2016

From soot-soaked techno to day-glo grime — jackin' house grooves to colourful drum & bass jams — the future is looking bright for dance music...

Ralph Lawson's Leeds house music institution 2020 Vision celebrates 20 momentous years...

Leeds house music institution 2020 Vision celebrates 20 momentous years in 2014. Here, label boss Ralph Lawson remembers two decades of one of the UK's...

Dirtybird take their low end theory on the road

If there’s been one trend that’s wheedled its way into all corners of electronic music in the last two years, it’s bass. Indecent ladles full of the stuff, speaker stacks positively groaning with the strain of lowdown, filling-rattling subsSan Francisco’s techno overlord Claude VonStroke is incubating a nest full of underground club killers in 2012, set to hatch and dive-bomb clubs Angry Birds-style