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Brooklyn, NYC duo Wolf + Lamb aren't just a DJ/production outfit. They're a movement, a label, a club, and extended family of like-minded artists, offering...

Few artists inspire a devotion bordering on the religious. But the gospel according to Wolf + Lamb has already spread far and wide, their near...

The latest and greatest DJs and producers rising to the top this month. From experimental R&B and sample-laden house to ferocious, fiery techno here's February...

(LIV).E

(Liv).e — pronounced “Liv” — has an otherworldly sound. The vocalist and producer hails from Dallas, Texas, and combines gospel spirituality with blurry synth-work...

The latest and greatest DJs and producers rising to the top this month. From hyperactive gabber and intricate breakbeat science to thundering techno and gentle...

Irresistible nu-rave energy, hyperpop hooks and experimental electronics form an unstoppable force in the hands of Lady Neptune, the gabber goblin queen alter-ego of Moema...

Phelimuncasi

South African gqom trio Phelimuncasi have risen to fame with their politically charged vocals and innovative beats. Makua Adimora catches up with them to learn about their new album ‘Ama Gogela’, their creative process, and why their music is here to entertain and agitate in equal measure

“‘Phelimuncasi’ means ‘you drink whatever you drink with a straw and you finish it’,” Khera, one-third of the South African gqom trio, Phelimuncasi, tells DJ...

Cormac posing in profile against a grey blue background. He's wearing an orange coat with a white hood and a blue baseball cap

With his new podcast, Queerly Beloved, Northern Irish DJ Cormac explores what it means to be a queer artist in dance music today. Interviewing contemporary figures about their histories of queer discovery, the Panorama Bar and fabric regular continues an intergenerational conversation surrounding the life-affirming moments, communal  experiences and enduring challenges of LGBTQ+ expression. Alongside an On Cue mix packed with HI-NRG anthems and Italo house, Marke Bieschke learns more

What is “queer music”? For some, the term recalls debauched downtown discos of yore, with unbridled backrooms, fabulous androgynes, and Liza Minnelli descending to the...

Celebrating twenty years at Radio 1

It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...

German DJ and musician Lena Willikens is proud to be an outsider, and her leftfield approach to dance music, art and noise resonates with followers...

Lena Willikens has always been an outsider. Born in the south-west German city of Stuttgart to a Hungarian architect mother and an artist father, formative...

Tali by Jamie Lees

Tali was the first female drum & bass MC to feature on DJ Mag’s cover in 2004, coinciding with the release of her debut album ‘Lyric On My Lip’ on Full Cycle. Nearly 18 years on from that trailblazing release, Jake Hirst connects with the artist to discuss her self-produced eighth studio album, ‘Future Dwellers’, and the journey of self-worth that lead to it

“I was so busy and stressed back then, but I was having the time of my life,” Tali says, sitting back in her chair with...

Photo of Sepehr posing at a slight tilt, wearing a black leather vest

With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band

If anyone is going to be searingly candid about real life in the music business, it's Sepehr Alimagham Tabari. With his four-year-old label Shaytoon Records...

Cakes Da Killa by Ebru Yildiz

Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’

In 2014, Cakes Da Killa’s uniquely sharp and agile club rap earned him an interview on New York’s premier hip-hop station, Hot 97. He never...

Nantes-based DJ, producer and Livity Sound affiliate Simo Cell jumps from bass-heavy club beats and breaks into rap, trap and back again in his hyperactive...

With an internet following consisting of more people than some small countries, trap duo Flosstradamus create an ultimate HDYNATION manifesto

The depths and channels of the world wide web are staggering, many of its areas have yet to even be truly dredged. For some, the...

Close-up shot of Channel Tres wearing a blue shirt

The California-raised producer Channel Tres is a natural born trailblazer. As the name behind Compton House, he’s found admirers for his self-coined genre within funk, hip-hop and pop audiences. In his forthcoming album ‘Head Rush’, he’s expanding upon that diverse aesthetic by tapping into his divine intuition to tell his life story and introduce the world to new depths of his musicality

Successful artists often point to intuition as their guiding force. But developing a positive relationship with an inner dialogue is something that takes practice, patience...

Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...

Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...

Swedish DJ/producer Axel Boman's name crops up on all the best festival and club line-ups, DJ set lists and label discographies. His imaginative, freaky tunes...

Axel Boman is “trying out a new look”. He’s wearing an all black turtle-neck jumper and floppy black cricket cap, but he’s not sure it’s...