When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...
Search
Results for: The Butterfly Effect
DJ also attacks failed drug policing...
Howie B has condemned the Police for their handling of fabric, both in the current case involving the deaths of two 18-year-olds from drug overdose...
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...
<p>MAD Festival brought relief to Serbia last month...</p>
The inaugural MAD in Belgrade — brought to us by the founders of the renowned EXIT Festival — kicks off its life in a sombre...
Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...
In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...
Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies
The latest and greatest DJs and producers rising to the top this month. From searing electro, acid and breaks to hype UK funky fusions and...
Tred
Berlin-based Aussie Tred might be a new name, but he’s rapidly gaining a reputation for laser-guided electro killers. Debuting last year on P.Leone’s E-Missions...
Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...
Fever AM co-founder Rhyw steps up for the Recognise mix series, and chats to Eoin Murray about his forthcoming release, his childhood obsession with The Prodigy and the all-important element of surprise in his hallucinatory club music