Early on a Sunday morning is not the usual time to be interviewing anyone involved in making and playing electronic music. Generally speaking, at that...
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With her new ‘Embryo’ EP on Planet Mu, Jlin’s body of work takes another step toward unifying sound and motion. DJ Mag's Bruce Tantum catches...
A new crop of charity record labels has sprung up in the UK and France, donating their entire profitshare to worthy causes, and fighting poverty and inequality in...
Despite austerity hitting all but the most affluent, charity giving continues to rise. According to the Charities Aid Foundation’s annualUK Giving Study, British people donated a whopping £10.3bn to charity in 2017...
Already part of some major DAWs including Logic Pro, AI and machine learning is becoming a staple of music studios through technology from assisted mixing and search...
We speak to Berlin’s sampling bootleg king ahead of SW4...
At what point does sampling become plagiarism? It's a common question in dance music, but with few occasions has the debate become as contentious as...
Secret Solstice festival sweeps us across Reykjavík and into Iceland’s wilderness on a groovy trip of unimaginable extremes...
“HOLY GOD, IT’S FREEZING!” We aren’t sure who screams that line. Could be us. Most probably is. But regardless of whose mouth utters the...
Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound
Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach
S'Express 'Theme From S'Express' (Rhythm King)
Mark Moore grew up in London and got into music at a young age. After his mother, who uprooted from South Korea after the Korean...
Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
Disclosure covers DJ Mag USA...
Howard and Guy Lawrence, the Disclosure brothers, show up for their promotional appearances the way you would for a job interview: professional and prepared. Fresh-faced...
Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix. Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla about building connections around the world, uplifting her communities, and her Pasifika club sound
Progressive house champion Cristoph shows us round his Newcastle haunts, and tells us how his friends and family, and the patronage of Eric Prydz, have...
Oakland-based producer and DJ Russell E.L. Butler delivers 60 minutes of exhilarating techno and radiant rhythms as part of our podcast series. We catch up...
Russell E.L. Butler’s artistic process is built on community. Based in Oakland since 2009, the Bermudian producer, DJ and live musician has become an increasingly...
From her label to her radio show to her MoodRAW and MoodZONE events, Nicole Moudaber has emerged as techno’s most tireless ambassador. DJ Mag North...
Nicole Moudaber loves to keep moving. Everything about the DJ, producer and label boss evokes constant motion, from her propulsive, percussive music to her trademark...