Skip to main content

Search


Results for: Tim Berling

sbk shot by Sam Singer

In this month’s Meet the MC, Amy Fielding speaks with London-based artist sbk about coming up through the capital’s grime scene, his debut mixtape, and a new creative direction

At just 13-years-old, an MC going by the name of sbk sent an email to Lewisham artist and XL Recordings affiliate, Kwadwo Quentin Kankam, better...

Pioneer DJ has announced the latest update to the CDJ range, majorly upgrading their 2000 range for the first time since 2011. The CDJ-3000’s main...

The new album from Edinburgh’s Proc Fiskal merges grime and the folk music that stretches back through his family history for generations. He talks to...

Growing up in the Pilton area of north Edinburgh, Proc Fiskal discovered Boards Of Canada through his father and grime through the internet. The former...

The roaring 20s are back, and mean serious business with Origins, Call Super's White Hotel takeover and Beat Horizon in Bristol... 

New year, new decade, same deal here — the finest soirees, sessions and sweatboxes across the UK. So let’s go get 'em. 

London and the...

We interview Nadastrom & Sabo ahead of hitting the road, plus free Scion AV EP!

We went, we saw, we determined. The verdict: moombahton. It's all over the place and the people love it. So much so that we no...

Neurodiversity in dance music lead feature image

Neurodiversity refers to a wide range of neurological conditions including ADHD, autism, dyslexia and Tourette syndrome. After being diagnosed with ADHD and suspected autism earlier this year, DJ Mag writer Harold Heath began to wonder: is there a particularly high number of neurodivergent people in the scene? Here, he embarks on a personal journey to try and understand the relationship between neurodiversity and dance music, and its wider relevance within the scene

I’m Harold Heath: music writer, former small-time DJ/producer, and life-long club culture fanatic. Earlier this year I was diagnosed with ADHD and suspected autism. Why...

For New York DJ, artist and label boss Joaquin “Joe” Claussell, music is about spirituality and togetherness. With a new album, ‘Raw Tones’, released this...

“Here comes the hose!” On a sweltering August Saturday in 1999, the Body & Soul party packed New York City’s Grand Central Park for a...

Founded by Suraj Mandavia and Eugene Onyango, Kenya’s foremost Afro-house label, Gondwana KE, aims to take African electronic music where few have gone before. Alongside...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone. 

Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...

The original electro sound has been seeping back onto dancefloors, whether in the sets of DJs like Helena Hauff and Nina Kraviz or mix-comps by...

Electro inspires a fervid following. The genre is a bubbling underground scene populated by dedicated labels, DJs and diverse producers, scattered across the world, and...

DJ Mag USA speaks with Matrixxman about his debut album ‘Homesick’...

On a brisk spring San Franciscan afternoon, clouds move lazily across the sky with sunshine piercing through as notable techno talent Matrixxman, real name Charles...

Sound Factory legend talks voguing, Madonna and his European tour

Across Paris, London and New York, the sound of ballroom is again infiltrating every area of dance music, from Vaggio's 'Don't You Want Some More'...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

A selection of 8 press shots of artists featured in DJ Mag’s March emerging artists feature

The latest and greatest DJs and producers rising to the top this month. From masterful footwork and radiant house, to striking Latin beats, eclectic electro, breaks and beyond, here’s March 2024’s list of upcoming talent you should be keeping track of

“I want to see the bodies riding soundwaves, sparkling sweat in the air, and infectious smiles,” says cay horiuchi, whose DJ sets seek to create...