Los Angeles’ ESP Institute has delivered over 120 releases since its inception 14 years ago – an impressive feat for a label that remains fiercely...
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In the lead up to his all-night headline show at Wembley Arena (the first of its kind) and following his glorious return to London’s SW4 festival...
Andy C is famous for his all-night sessions behind the decks. Exactly how many thousands of people have witnessed him spanning the many eras and sub-divisions of the drum...
Duo's debut album is out now...
Now that The Chainsmokers debut album is out, the U.S duo have taken to their Facebook page to breakdown the inspiration behind each track on...
DJ Mag spends an action-packed weekend with Len Faki...
“There he is – Len Faki! It's time to go to the stage!” exclaims one of the harried stage managers around me. It's a beautiful...
Dark horse Noir is entering the limelight. We got in touch to find out more...
Rene Kristensen aka Noir has a reputation for being incredibly chilled out, and he's not entirely sure why. But it could have something to do...
We talk to the head honcho from the seminal junglist label...
Comp of the month in the upcoming issue of DJ Mag is 'The History Of Hardcore, Jungle, Drum & Bass: 1991-1997', the triple CD box-set...
Features
Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
Features
Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
Features
Most DJs love playing festivals, but what should you do when you’re asked to play one for free, and even cover certain costs yourself? Ria Hylton speaks to DJs Sheba Q, Harold Heath, Charlie Dark and others, along with festival organisers, to find out
Features
Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test
Features
Nantes-based DJ, producer and Livity Sound affiliate Simo Cell jumps from bass-heavy club beats and breaks into rap, trap and back again in his hyperactive...
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As live streams dominate our feed, we outline five ways to stand out from the crowd
Features
After the recent tragic deaths of two people at Mutiny Festival in Portsmouth, the issue of drug safety testing has been thrust into the spotlight...
The whole point about harm minimisation is admitting that people are always going to take drugs, whatever anyone in authority says or does — so...
Features
In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity
Features
Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era
Features
Saint Petersburg’s rising star in jungle, footwork and hybrid bass music, A.Fruit, records a 100% productions mix for the Recognise series, and chats to Kamila...