“The clowns in Government have abdicated responsibility,” says promoter Rich Reason, a matter of days before the return of his storied Manchester party, Hit and...
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Features
Clubs across England opened dancefloors for the first time in 16 months during the early hours of Monday morning (19th July). But while people hit...
Features
As part of our special edition on fighting racism and racial injustice in the dance music industry, we have collated alphabetical lists of collectives, organisations...
Features
Shanghai’s pioneering SVBKVLT label is creating a bold new future for electronic and club music, spearheading a movement inspired as much by Chinese tradition as avant-garde...
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One of Uganda's most vital talents, Kampire has been breaking onto the global scene thanks to her electrifying, rhythmic DJ sets and activism. Ahead of...
There is a unifying force at the heart of Kampire Bahana’s work. For several years now, the Ugandan DJ and writer has been at the...
DJ Mag talks his new LP as Deadstock 33s & scores a first listen.
Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...
There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...
Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...
Morgan Geist returns to his original house music inspiration.
Best known as one half of nu disco/deep house duo Metro Area, Morgan Geist's new moniker — Storm Queen — is about to have a bona-fide chart hit with the previously released 'Look Right Through'. The track has had a long gestation period: produced with singer Damon C. Scott, who shot to prominence for being filmed singing on the NYC subway, it was signed to Defected at the end of last year and the MK dub became an anthem in Ibiza and at many festivals over the summer just gone.
Boys Noize opines on following true love, searching for the perfect sound, meeting Skrillex and Deadmau5, and having a strange relationship with melody...
In Germany towards the end of the nineties, Berlin was synonymous with hard-edged techno sounds but Hamburg was flying the flag for a more traditional flavour of house music. So the young Alex Ridha grew up surrounded by influences from Detroit and Chicago, which provided the fuel for a serious life-long vinyl addiction.
Features
Jeddah-born, Dublin-based DJ Moving Still records a hi-NRG mix of edits and originals, and speaks to Gabriel Szatan about the thriving network of “Arabic electronic"...
Features
In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
Second album 'Vapor City' is a hypnagogic masterpiece...
The idea of a footwork concept album might seem at odds with the stuttering functionality of its Chicago roots, but then Machinedrum, aka US-born Travis Stewart, has always used its 170bpm tempo as a template for more otherworldly experiments.
Chicago trio on their b2b2b tour
Three of Chicago's most respected DJs, they're repping real house music harder than ever in an age of commercialisation and corporate EDM. Touring together as Back to Back to Back, we thought it was time to pick their brains about their Chicago beginnings, the switch to digital, the US dance boom — and where they're at now...
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Manchester-based DJ Paulette — pivotal in several of the most significant moments in European electronic music history — has won this year’s Lifetime Achievement award
Features
Three decades and nearly 200 records into his career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live
Features
Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...