“I was quite angry as a teenager,” Adam Beyer says. We’re sitting across from the Swedish DJ in his Ibiza home, talking about the death...
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Adam Beyer is one of the biggest names in techno, renowned as much for his DJ sets as his highly successful Drumcode record label. Ahead...
As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...
Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound
Tiffany Calver is redefining the role of the rap DJ. As well as helming the influential Rap Show on BBC Radio 1Xtra, she hosts club nights, runs her own label, and DJs for superstars. But, as she reveals to Christine Ochefu, her journey to the top hasn’t always been easy
The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
Whatever you make of it, there's no party experience in the world like Miami's WMC week. Like cramming a whole Ibiza season into one week-long...
Tuesday | Wednesday | Thursday | Friday | Saturday | Sunday
TUESDAY 23RD MARCH
MADE TO PLAY & REKIDS @ THE WHITE ROOM
HYPE: A...
In DJ Mag's April music columns, Joe Roberts, Carl Loben, Shiba Melissa Mazaza and Layla Marino spotlight topical sounds from around the world
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Audio-visual artists have always played a vital role in shaping the distinctive aesthetic identity of electronic music. In the evolution of analogue slide projectors to...
Another year, another fantastic Outlook!
Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...
We interview Nadastrom & Sabo ahead of hitting the road, plus free Scion AV EP!
We went, we saw, we determined. The verdict: moombahton. It's all over the place and the people love it. So much so that we no...
Baldy DJ Lee Burridge sends us his diary every month. This time he reports from Down Under, where he narrowly avoided getting eaten by a...
I had my heart set on Melbourne as one of the seven locations for 365 in the first year.
I chose it for many different...
A lack of data, information, and will has left electronic music producers lagging way behind their commercial counterparts. DJ Mag outlines how that happened, how...
A rare look inside the elusive, musical minds of Italojohnson
ItaloJohnson are real party starters. That is basically all we know about the mysterious Berlin based trio, but it’s all we need to know.
Whether...