In the early 2000s, there was a small, unassuming stall on the second floor balcony of Kampala’s Bugolobi market. Stocked with computers, scanners and other...
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It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?
The Prodigy have defined a movement, a generation. Their new album is out today
“I think we should be a British institution. Everyone goes on about all of these other people from the '90s like Blur and Oasis, but...
As a DJ/producer of dark, harrowing sound, the head honcho of the multidisciplinary 6dimensions label, and founder of one the UK's most influential parties, LOST...
Steve Bicknell has been immersed in techno for close to three decades now. Having launched the legendary LOST parties in 1991 with Sheree Rashit –...
Mixed up in The Hague
It's impossible to overstate The Hague's impact on dance music. In the early '90s, this small city in northern Holland crafted a bastardised version of the sounds bubbling out of Detroit, a ravey mash of jacking house and techno that, at the time, sounded almost impossibly futuristic.
MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...
“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.
The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
The return of the Angel!
Dave is resolutely BACK — but where has he been?
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...
Cheeky bubblers incoming...
Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...
Celebrating twenty years at Radio 1
It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...
The latest and greatest DJs and producers rising to the top this month. From fiery footwork and acid-laced techno to driving EBM and textured sound...
TERR
FOR FANS OF: Laurie Anderson, John Talabot, Marvin & Guy
A release on Permanent Vacation is a landmark in any artist’s career; take the...
DJ Mag catches up with Ferry Corsten and Markus Schulz, aka New World Punx...
Hey guys, how are you?
'We’re doing great! Together we had an incredible two weeks in Australia for the Stereosonic stretch of festivals and stopped...