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The Sound Of: Touching Bass

Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far 

“Touching Bass is a musical movement,” Errol Anderson tells DJ Mag. “And when I say movement, I’m thinking of forward movement — energy.” Alex Rita...

Nicolette 'Let No-One...' album cover

On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music

In the modern world, it seems sadly inevitable that any female singer who experiments with dance beats will, at some point, be compared to Björk...

Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum &...

Compiling hyper-speed, sci-fi sounds from producers across the globe, Anna Morgan and Bell Curve’s Worst Behavior has quickly become a force to be reckoned with...

Having trained as a classical pianist as a child in Turkey, before becoming a successful techno artist in Berlin, Nene H has been on a...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, London-based Hyperdub affiliate...

In October 2013 London’s best-known record shop, Phonica has turned 10.

Opening a vinyl-only store in Soho just over 10 years ago was seen as a risky move. The area was, and still is, saturated with...

Photo of a ravers at a free party in a tunnel

Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning

The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...

Deep, down and dirty at Worthy Farm’s sexy psychedelic playground...

This month, one of the world’s wildest clubbing spaces opens its doors again — for one long weekend only. The temporary queer autonomous zone that...

With his latest album, the artist proves his genre-defying feats have only just begun...

 

Alexander Ridha loves sound. He uses the word 45 times in 62 minutes of conversation. That’s once every 82 seconds, if you’re counting. “My...

With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...

Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.

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Mixing booming West Coast hip-hop 808s, squelchy funk, sizzlingly sexually charged R&B and deep house, Boston's Soul Clap (aka Eli Goldstein and Charles Levin)...

Redlight - the artist formerly known as Clipz - is flipping the dance script, shattering genres into a million pieces and pioneering a mongrel music...

As acolytes of electronic dance music, we tend to consider ourselves a fairly fortunate bunch. Within the panoply of different styles, genres and sub-strands, it's...

Photo of Imanu posing wth his eyes cast downward. A strip of rid light appears across his bleached hair

Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound

“Imagine a blood-covered rose, and take a black and white photo of it. That’s it, that’s my music,” explains IMANU backstage at his 2023 headline...