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 Priori by Kane Ocean

Montréal’s NAFF Recordings co-founder Priori records a mix of deep, spaced-out house and techno for the Fresh Kicks series, and speaks to Sophie McNulty about collaborating, discovering dance music in his teens and pushing electronic sounds to into new, weird places

“Sharing ideas with other people made me progress way faster,” explains Priori of his collaborative process. The Montréal-based producer — real name: Francis Latreille —...

DJ Couza

Get to know Bloemfontein, South Africa's DJ Couza, the DJ and producer fusing deep house with indigenous African sounds

We’ve said it many times in these pages, but it bears repeating — some of the most soul-stirring house music around is coming out of...

Glasgow's EzUp resident Jay Celino moves seamlessly from house and breaks into techno and electro in his Fresh Kicks mix, and speaks to Amy Fielding about...

In this month's brand focus, DJ Mag speaks with Freddie Herring about his Leeds-based, club-inspired apparel line: etha ravewear

Every raver has a story about how they found their place on the dancefloor. Leeds-based Freddie Herring, who runs rave-inspired apparel brand Etha Ravewear, found...

Get acquainted with Huey Mnemonic, the Detroit-based artist producing futuristic, funk-filled techno

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

A.G. is no stranger to DJ Mag’s Selections series. Numerous selectors have bigged up the East London producer in their own choices, emphasising her distinctly...

In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...

Record stores and clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our...

Meet the MC is DJ Mag's new monthly interview series, getting to know emerging MCs on the electronic music scene. This month, DJ Mag’s Amy...

Seoul’s DJ Bowlcut steps up with a radiant mix of house, techno, IDM and acid as part of our Fresh Kicks series...

DJ Bowlcut’s sets always feel as though they’re on the verge of bursting. Starting his musical course as a turntablist with a taste for rough...

Wild Rumpus is just that: an insanely fun, out-of-control party on wax...

The brainchild of DJ Cosmo (Colleen Murphy) the Boston-born, New York raised, London dwelling disco / house music legend, and infamous leftfield guitarist Gary Lucas, who's played with Captain Beefheart, Lou Reed and Jeff Buckley, they make the kind of funky psychedelic rhythms that can only emanate from maverick minds. First single 'Musical Blaze Up' traverses the dub country route, while new cut 'Purple Somersault' is a bizarre and brilliant collision between cranked Kraut-rock drums, wigged surf guitar and scratchy funk. DJmag beckoned Murphy away from her surf board for a minute to talk names, grooves, and grand plans…

So why the name Wild Rumpus?!

"It's from a children's book called 'Where the Wild Things Are' by Maurice Sendak which I loved as a kid and which I read to my daughter. There is a great part of the story where the little boy and his monster friends are about to have a manic dance party underneath a full moon and it says, 'And now let the wild rumpus start'. It just had to be used."

It seems to be quite an unusual hook up, between you Cosmo, and Gary Lucas. How did you come to be working together?

"Gary and I have been friends for nearly 20 years and have talked about working together for ages. I used to do a few different radio shows on WNYU in NYC and had him up when he was relaunching his solo career in the late '80s. As most people in the UK know me for being a 'dance' DJ, many may think it is quite an unusual collaboration. However, most people don't know that I was first and foremost a rock chick and founded the first psychedelic / progressive rock show on my radio station and I was a huge Captain Beefheart fan before house music even existed!"

You seem to have a diverse taste - one minute dubbed out beats and rhymes, the next Krautrock surf music... Is there a grand Wild Rumpus plan?

"Wild Rumpus is about fusing different styles but in a way that works. It's also about having fun and being irreverent. And finally it's about being different. I spend a few hours at the record store and find that 99% of the music to which I am subjected to is derivative. It's so boring. Gary and I both have musically diverse backgrounds and we are able to use our musical heritage in a unique way. This is all music we love!"

What's a 'Purple Somersault'?

"It's a 'term' my daughter came up with. Her favourite colour is purple and 'purple' has also become an adjective that means something that is 'the best'. She likes being flipped upside down and would ask us to help her do an orange somersault, a black somersault (very sinister), a yellow somersault (happy!), etc. But the best was always the 'Purple Somersault'. Also, as this is a surf tune, the somersault refers to the somersaults one does underwater after a wipe-out."

Is there an album in the works? What can we expect?

"There is an album in the works. We have a lot of Gary's guitar tracks that we have recorded and now it's up to me to put it all together so I have quite a job in front of me. Gary is the most original guitarist and can do anything. When we're in the studio it's just so easy but the problem comes with the editing and arranging as sometimes there is almost too much! All I can say about the album is that it will be diverse but always psychedelic and soulful."

What's next for Wild Rumpus?

"Right now we're getting our live show, The Wild Rumpus Experience, together for the summer. We have performed in some wild places including India and are hoping to for some of the UK festivals. We work with visual artist Rob Rainbow who works with The Light Surgeons and Nitin Sawhney amongst others and have also worked with percussionists and a poi fire dancer! We have a show that reaches people on many dimensions so the visual element is really important. We just want to do something that is a bit different."

How the global boom of African music is resonating with electronic artists in the diaspora

It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?

In the early 2000s, there was a small, unassuming stall on the second floor balcony of Kampala’s Bugolobi market. Stocked with computers, scanners and other...

Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...

A mainstay in London’s underground scene for a hot minute — specifically a decade — KG aka Karen Nyame aka “The Rhythm Goddess” is a...

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

The history of Spiral Tribe, the UK’s most notorious travelling sound system

Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew –  a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and PRSPCT Recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, Harold Heath dives into their history, legacy and vow to 'Never Stop'

In the 1970s, a teenage Mark Harrison and his younger brother would hitch-hike to free festivals, the country-wide network of large-scale, outdoor music events which...